Metals

THE ITEM

This elegantly formed piece bears the curved lines typical to the Art Nouveau period it was created in is by  Thure Öberg from Arabia of Finland. 

The abstract four-handled urn shape is an interpretation of a classic vase form, with the addition of softly exaggerated natural lines mimicking the natural lines found in plants and flowers that was the core to Art Nouveau design movement. 

The beautifully dappled decor is applied to the interior and exterior, and has the colour palette of a subtly lustred copper, slate blue-grey and white. The overall effect created by the decor mimics real marble.  

A BIT OF HISTORY

Thure Öberg (b. 1872 - d. 1935) was a Swedish-born ornamental painter, who was appointed as the first artist for Helsinki's Arabia factory around 1895 and remained at the company until his death in 1935. Öberg began his career at the Rörstrand porcelain factory in Sweden, who also owned the Finnish Arabia factories established in the northern part of Helsinki in 1873. In the early years, certain Rorstrand models and decor was undertaken by Arabia. Öberg used many techniques in decorating ceramics, but his favorite was the Danish method of Arnold Krog, in creating patterns of coloured threads under the glaze. Öberg designed the well received collection on behalf of Arabia at the Paris World Expo in 1900, for which he received a gold medal. 

CONDITION

Good. No cracks or crazing, there is a degree of wear to the marbled glaze at the rim and underside of the vase and one spot of paint, please refer to photos as part of condition report. The base of the vase is marked with Arabia of Finland's stamp 'AAA, 3, MADE IN FINLAND, 168' that was in use between 1928 - 1932 . 

MEASUREMENTS

c. 6.1" / 15.5 cm tall (from base to rim) x c. 6.3" / 16 cm in diameter (across widest points). Rim diameter: c. 3.1" / 8 cm. Base diameter: c. 2.9" / 7.5 cm 

Unpackaged weight: c. 0.8 kg / 849 g

NOTES

Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

THE ITEM

This elegantly formed piece bears the curved lines typical to the Art Nouveau period it was created in is by  Thure Öberg from Arabia of Finland. 

The abstract double-handled amphora shape is an interpretation of a classic vase form, with the  addition of the softly exaggerated natural lines mimicking the natural lines found in plants and flowers that was the core to Art Nouveau design movement. 

The beautifully dappled decor is applied to the interior and exterior, and has the colour palette of a subtly lustred copper, slate blue-grey and white. The overall effect created by the decor mimics real marble.  

A BIT OF HISTORY

Thure Öberg (b. 1872 - d. 1935) was a Swedish-born ornamental painter, who was appointed as the first artist for Helsinki's Arabia factory around 1895 and remained at the company until his death in 1935. Öberg began his career at the Rörstrand porcelain factory in Sweden, who also owned the Finnish Arabia factories established in the northern part of Helsinki in 1873. In the early years, certain Rorstrand models and decor was undertaken by Arabia. Öberg used many techniques in decorating ceramics, but his favorite was the Danish method of Arnold Krog, in creating patterns of coloured threads under the glaze. Öberg designed the well received collection on behalf of Arabia at the Paris World Expo in 1900, for which he received a gold medal. 

CONDITION

Excellent. No chips or cracks - there is mild use wear that is commensurable with the age of the vase, please refer to photos as part of condition report. The base of the vase is marked with Arabia of Finland's stamp 'AAA, 3, MADE IN FINLAND, 167' that was in use between 1928 - 1932. 

MEASUREMENTS

c. 7.5" / 19 cm tall (from base to rim) x c. 6.7" / 17 cm in diameter (across widest points). Rim diameter: c. 3.7" / 9.5 cm. Base diameter: c. 2.8" / 7 cm 

Unpackaged weight: c. 0.8 kg / 808 g

NOTES

Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

THE ITEM

This exquisitely intricate and delicate work of mid century Murano glass has been crafted using the Zanfirico technique. Zanfirico is the Venetian art glass technique that involves the stretching and twisting of fine glass canes to create beautiful spiral and lattice patterns.

This particular piece bears the colour palette characteristic to that of the Fratelli Toso glassworks. The gently twisted pink ribbons are trimmed with copper avventurine and placed in an alternating pattern in between the finer, net-like white glass. 

CONDITION

Excellent. No chips or cracks, there is mild use wear that is commensurable with the age of the piece, refer to photos as part of condition report. 

MEASUREMENTS

c. 1.6" / 4 cm tall (from base to rim) x c. 5.1" / 13 cm in diameter (across widest points).

Unpackaged weight: c. 0.1 kg / 148 g

NOTES

Glass will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY

Fratelli Toso glassworks was founded in 1854 by six brothers; Angelo, Giovann, Ferdinando, Carlo, Gregorio and Liberato. The brothers were joined by Ermanno Toso in 1924 who became artistic director. Fratelli Toso's artistic production has been broad during its 150 year history and has become particularly well known for Murrina and Millefiori production. 

Zanfirico

The name Zanfirico derives from the surname of a 19th century Italian art dealer, Antonio Sanquirico, however the Zanfirico technique has been used as far back as the 16th century, when it was originally known as 'Filigrana a Retortoli'.

THE ITEM
This exceptional and exquisitely intricate work of mid century Venetian art glass has been crafted using the Zanfirico technique.  

Zanfirico is a Murano glass technique that involves the stretching and twisting of glass canes to create beautiful spiral and lattice patterns.

This particular piece bears the colour palette characteristic to that of the Venini glassworks. The candy pink, blue, mint and yellow ribbons are twisted with copper avventurine and placed in an alternating pattern in between the finer, net-like white glass. The glass is finished with a ring of clear and avventurine glass, providing elevation for the piece. 

CONDITION

Excellent. No chips or cracks, there is mild and unobvious use wear that is commensurable with the age of the piece. 

MEASUREMENTS

c. 1.4" / 3.5 cm tall (from base to rim) x c. 7.2" / 18.2 cm in diameter.

Unpackaged weight:  0.3 kg / 281 g

NOTES

Glass will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Venini

Venini glassworks was founded in 1921 by Paolo Venini, Giacomo Cappellin, and Andrea Rioda. In 1924, the glassworks was named as Vetri Soffiati Muranesi Venini Cappellin & C and the painter Vittorio Zecchin also became artistic director.

Cappellin left in 1925 to create his own company, and Venini formed a new company with Napoleone Martinuzzi called Vetri Soffiati Muranesi Venini & C, Martinuzzi was artistic director until his departure in 1932. Carlo Scarpa would join in 1932, and picked up the reins as artistic director in 1933. Other designers who have been part of Venini's history include Tobia Scarpa, Fulvio Bianconi and Riccardo Licata.

Zanfirico

The name Zanfirico derives from the surname of a 19th century Italian art dealer, Antonio Sanquirico, however the Zanfirico technique has been used as far back as the 16th century, when it was originally known as 'Filigrana a Retortoli'.

THE ITEM

This graceful and sculpted work of Modern abstract design is by the mysterious Axia of Spain. 

The piece is composed from well balanced and subtly curved angles to suggest form. The sidelong view suggests the female form, however, the sculpture certainly evokes other interpretations when viewed from other positions. Handmade from porcelain, the sculpture's base glaze is a subdued pearly grey lustre that is contrasted with highlights of copper as well as gunmetal grey. 

The overall effect of the sculpture is of suggestive and understated glamour, and would suit a room with decor inspired by design themes such as Modern, Retro, Contemporary or Industrial.

CONDITION

Very good. There are no chips or cracks, age wear to the metallic glaze that is commensurable with age of the piece is present - please see photos as part of the condition report. Base bears the 'Axia, handmade in Spain' mark. 

MEASUREMENTS
c. " / 18 cm tall (from base to tallest point) by c. " / 24.5 cm length (across body's widest point). Sculpture width / depth: c. " / 9 cm. 

Unpackaged weight: c. 0.7 kg / 671 g

NOTES
Sculpture will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

THE ITEM
Presenting an elegant work of Swedish Mid Century Modernist design, crafted in the wonderful combination of brass and cobalt blue glass.

This piece was designed by Swedish designer Gunnar Ander and is in a rare formation of three stylised floral bobeches (glass collars), supported by brass arms. The three brass arms surround the cobalt blue glass dish is elevated from the surface by the footed brass frame . The candle sconce of each arm takes a taper candle measuring 12 mm / 1/2".

Whether fitted with candles or not, this sculpted piece is a beautiful display of elegant and sleek Modernist design and would suit a room with similar themed, Art Deco or Vintage decor.

A BIT OF HISTORY
Ystad Metall was founded in Sweden in 1833 and went on to produce some of the most notable designs in bronze and brass home accessories of the twentieth century.

Gunnar Ander (1908 - 1976) was a Swedish designer and architect. Ander's was hired by Erik Hovhammar from Lindshammars Glassworks to develop a new design profile to differentiate them from the competition. He worked alongside with Ystad Metall, where he designed wrought iron and other art objects. Ander's candelabras from the fifties elegantly captures the spirit of that time. He continued his work at Lindshammars and Ystad Metall (later Scandia Present AB ) until his death in 1976.

CONDITION

Excellent. The glass carries no chips, scratches or chips. The brass has vintage surface wear that is commensurable with age - please see photos as part of condition report.

MEASUREMENTS
Height c. 5.1" /  13 cm (from rim of tallest bobeche to base) x c. 8.4" / 21.5 cm in length (across widest points).

Bowl: 2.7" / 7 cm in height x c. 4.7" / 12 cm in diameter.
Unpackaged weight: c. 0.45kg / 520 g

NOTES
Set will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

THE ITEM

Presenting a excellent piece of Art Nouveau influenced design. 

The funnel form vase bears the Papaver poppy design, which was popular during the height of the Art Nouveau movement. There are two open poppies wrapping round the body of the vase, a bud and a smaller half open poppy with unfurling leaves complimenting the blooms. The decor has been crafted in raised relief, making this piece very tactile. 

A elegant piece suited to a room with Art Nouveau, Vintage / Brocante inspired decor. 

A BIT OF HISTORY

Engelbert Kayser (1840-1911) - an art dealer, entrepreneur, and ambitious artist - founded the trademark of the same name in 1894. Kayserzinn produced high-quality tin and pewter items in Jugendstil Art Nouveau style until 1920.

Kayserzinn's main designer and artistic director was Hugo Leven (1874-1956), a name to be compared with that of Liberty's main pewter designer, Archibald Knox. Leven was very successful as a designer, participating in world exhibitions and strongly influencing the German Jugendstil style with his designs. 

CONDITION
Very good.  No damage, however, there is age-wear - wear which is commensurable with the age of the piece, please see photos as part of condition report.

MEASUREMENTS
Height: c. 8" / 20 cm by c. 4.3" /  11 cm (rim diameter) 

Base diameter: c. 2.8" / 7 cm 

Unpackaged weight: c. 0.8 kg / 781 g

NOTES
Vase will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

THE ITEM
Presenting a fantastic work of Swedish Mid Century Modernist design, crafted in the wonderful combination of brass and glass.

This piece was designed by Swedish designer Gunnar Ander and is in a rare formation of six stylised floral bobeches (glass collars), supported by the undulating brass frame. The four corner arms steadies the brass form and converge on the two lightly elevated central arms and each sconce will take a taper candle measuring 12 mm / 1/2".

Whether fitted with candles or not, this sculpted piece is a beautiful display of elegant and sleek Modernist design and would suit a room with similar themed, Art Deco or Vintage decor.

CONDITION

Excellent. The glass carries no chips, scratches or chips. The brass has vintage surface wear that is commensurable with age - please see photos as part of condition report.

MEASUREMENTS
Height c. 3.9" / 10 cm (from rim of tallest bobeche to base) x c. 15.9" / 40.5 cm in length x c. 5.9" / 15 cm in width
Unpackaged weight: c. 0.4 kg / 433 g

NOTES
Set will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

A BIT OF HISTORY
Ystad Metall was founded in Sweden in 1833 and went on to produce some of the most notable designs in bronze and brass home accessories of the twentieth century.

Gunnar Ander (1908 - 1976) was a Swedish designer and architect. Ander's was hired by Erik Hovhammar from Lindshammars Glassworks to develop a new design profile to differentiate them from the competition. He worked alongside with Ystad Metall, where he designed wrought iron and other art objects. Ander's candelabras from the fifties elegantly captures the spirit of that time. He continued his work at Lindshammars and Ystad Metall (later Scandia Present AB ) until his death in 1976.

THE ITEM

A fabulously quirky piece of Kitchenalia that I never knew existed until I discovered this piece. Although if you thought about it, it makes sense - who wants their butter, sauce, or syrup to go cold? and why let this happen if you can use a warmer?

This butter warmer set is made up of three simple yet almost ingenious piece: the brass stand and (detachable) tealight holding tray, the pan itself which is made of the Langenthal Resista (hotel grade, heat resistant) porcelain and a lid... to make sure that you're not just evaporating away the contents of the pan.

The gracefully arched brass stand is made by another Swiss name of quality, Spring. Founded by the two brothers Arthur and Hermann Spring in 1946, their innovative designs made cooking at the table socially acceptable.

The Mid Century Modern design of this piece makes an excellent accompaniment to any dining room or table which has similar themed design influences.

CONDITION

Ceramic Pan: excellent, the visible body of the pan has no chips, scratches or crazing, the base of the pan has a use mark and as well as a mostly visible 'Langenthal Suisse' mark which was in use between 1940 - 1963. Brass Stand and Pan Lid: Very Good - the brass bears a well aged patina and wear which is commensurable with piece. Please do see photos as part of the condition report for both pieces.

MEASUREMENTS

Pan: c. 11" / 28 cm x c. 10" / 25 cm

Stand: c. 11" / 28 cm x c. 10" / 25 cm

Unpackaged weight (full set): c. 0.3 kg / 320 g

NOTES

Set will be securely packaged and shipping will be insured.

Shipping will be combined for multiple items.

A BIT OF HISTORY

The only 20th century Swiss porcelain factory began in 1906 in the Bernese town of Langenthal. Deeply rooted in the Swiss identity, the porcelain manufactory Langenthal SA – affectionately known by its workers as the “Porzi” – became noted for its cutting-edge technology, the diversity of its products as well as the quality of its porcelain. The artistic output followed the dominant aesthetic currents of the century while still preserving its local character. From Art Nouveau and Art Deco to the deliciously “vintage” designs of the 1950s and 1960s, from pseudo-rustic to avant-garde propositions, from collaborations with artists and designers to the influence of the artistic directors of the manufactory, the history of Langenthal is closely linked to the evolution of taste. Today, although its name still survives, all Langenthal porcelain is manufactured in Karlovy Vary (Carlsbad) in the Czech Republic.

THE ITEM
This stunning piece was never made to be functional despite it being shaped and categorised as a vase and I feel that's ok, for some pieces of art, the function is purely to visually mesmerise. I can imagine this piece taking centre stage on a mantelpiece above the fireplace, perhaps even as one half of a pair.

It's easy to become lost in the detail of this graceful and elegant piece, the Art Nouveau Ormulu frame is true to the style, inspired by natural forms and structures, particularly the accentuated, curved lines of plants and flowers. The Ormulu has aged with antique patina and so is matte as opposed to glossy, however, it is possible to restore this if preferred. Personally, I feel the patina adds charm and character.

The veined iridescent glass graduates from its rich ink to indigo blue downwards into shades of violet, grape, and even boysenberry purple. Threaded all over the glass are the iridescent veins.

CONDITION

Very good, no cracks to the glass or mis-shaping damage to the ormulu decor, bears significant surface wear to the ormulu and on the glass as can expected with age of piece, please see photos as part of condition report.

MEASUREMENTS
c. 21.2" / 54 cm tall x c. 5.5" /14 cm in diameter (glass) and c. 9.5" / 24 cm wide (from beak tip to handle edge).

Unpackaged weight: c. 1.7 kg / 1,718 g

NOTES
Vase will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

A BIT OF HISTORY
In the case of glass companies such as Loetz, Harrach, Moser and others, there is known documentation regarding the company’s production. Unfortunately, we are not as lucky when it comes to companies such as Kralik, Welz, Pallme-König, Rückl, Rindskopf and others. However, there has been significant research into the various glass decor styles by collectors, experts and enthusiasts in recent times and the glass style which this piece has been found to be closest to is the veined of Pallme-Koenig and Kralik.

The Art Nouveau decor is also of similar pieces found to be produced by these companies and the natural age-ing of the ormulu is also a strong indicator of the manufacture period.

THE ITEM

A fantastic set of four pieces of Mid Century Modernist Danish design in cast iron.

The Paro design series bears strong minimalist Modernist influences with geometric variations in hexagonal and square arrangements.

Each piece of this set is in the same square arrangement and has four pods for taking taper candles, the alternative, of course, is to (carefully) balance a larger candle in the centre of each holder. The underside of each pod also has a small circular foot to slightly lift the candle holder from surfaces.

An idea of the fun to be had in arranging and displaying these four pieces can be seen from the rest of the photos in this listing. The set will suit a room with Mid Century, Modernist or even Industrial inspired decor.

CONDITION

Excellent, no damage although there is natural wear, commensurable with age. Each piece is marked with "Made in Denmark, Paro Design, Monsterbeskyttet"

MEASUREMENTS

Each piece: c. 3.5" / 8.9 cm x c. 3.5" / 8.9 cm
Unpackaged weight: (four pieces) c. 0.2 kg / 197 g

NOTES
Set will be securely packaged and shipping will be insured.

Shipping will be combined for multiple items.

THE ITEM
This set is of two parts; first, the lampshade;

This particular hand blown lampshade is a rare early 20th century find - in its combination of quality, shape and colour palette. The bursts and swirls of deeper amber within the varying shades of gold are particularly refined in the mouchete satin or 'satine' effect. If you search online, you will see later lampshades of mouchete satin displayed a coarser blend in colours. The lamp shade bears the etched Vianne signature as well as the original Vianne label.

The second part, the lamp base is a gloriously golden brass ormulu example of art deco abstract anemone and geometric design, with three arms supporting the lampshade. The arms each have a screw with which you tighten to secure the lampshade in place, I have left these deliberately loose in the photos. The lamp base is unmarked.

Together, the two pieces offer a lamp which is a wonderful representation of sunshine itself to brighten any room, whatever the season.

CONDITION

Lampshade: excellent, no chips, cracks or scratches, faint wear around edge of rim commensurable with age. Lamp base has small stains, again commensurable with age, however is fully functioning. Note that the plug extension is European and lightbulb is not included. Please do see photos as part of condition report.
The light is fitted with a European plug and in excellent working condition.

MEASUREMENTS
Lamp shade - height: c. 7.8" / 20 cm by c. 8.1" / 21 cm diameter
Lamp base - height: c. 6.3" /16.5 cm by width: c. 7.3" / 19 cm (arm to arm)
Lamp shade and base combined - height: 13.1" / 34 cm

Unpackaged weight (lampshade and base) c. 2.1 kg / 2,063 g

NOTES
Lamp base and shade will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

A BIT OF HISTORY
Vianne was one of the biggest glass companies in France who produced fine hand blown glassware and was the last surviving glass company in France to do so until its closure in 2005. Vianne lampshades were used widely all over the world and its likely that you can still find some of their late 20th century pieces in lighting stores today.

Brass Ormulu (from French or moulu, signifying ground or pounded gold) is an English term, used since the 18th century for the gilding technique of applying finely ground, high-carat gold–mercury amalgam to an object of bronze, and for objects finished in this way. The mercury is driven off in a kiln leaving behind a gold coating. The French refer to this technique as bronze doré; in English, it is known as "gilt bronze".

THE ITEM
Sleek, elegant and sophisticated, this fantastically modernist piece was crafted circa 1960 (late 1950s - early 1960s), carrying the height of mid century modern design influences. The shade is made with brass, smoothed to form a belt with circular gaps of varying sizes and hot molten glass was handblown through the belt to create the 'caged bubbles' effect.

As a result of the high temperature of the melted glass during the crafting process, the brass developed a unique and wonderful patina and therefore each light is a one-of-a-kind piece in its own right. The electrical fittings for this light has been adapted with a plug, however this can easily be removed and the light can be fitted as suspended ceiling lamp.

As you can see from the photographs, this light is beautiful whether it is lit up or not. Would suit a Mid Century Modern, Vintage, Contemporary or even Industrial decor themed room.

A BIT OF HISTORY
Little is known about Rupert Nikoll, however, they're exceptionally renowned for originality and creativity and hence very popular with enthusiasts of design lighting.

CONDITION
Excellent. No chips or cracks to the glass, there is age wear to brass belt (wear that is commensurable to age of piece) please see photos as part of description. The light is fitted with a European plug and is in great working order.

MEASUREMENTS
c. 7.5" / 19 cm tall (lampshade) x c. 9" / 23 cm (lampshade and collar) x 5 " / 12.7 cm in diameter
Unpackaged weight: c. 0.9 kg / 935 g

NOTES
Light will be carefully packaged and shipping will be insured.
Shipping will be combined for multiple items.

THE ITEM
This set was designed and produced by Jammet Seignolles (now 'J. Seignolles'), a prestigious flagship Limoges porcelain brand. The design series was named Kyoto, echoing the style influences of Japan and coveted during the Art Deco era. Pieces from this design series rarely appear on the market and in this good a level of vintage condition, so this piece is an exceptional find.

An impeccable representation of Art Deco design with the design's influence and inspiration being present at multiple levels, from the form to the decor of this set. Art Deco indicators of sophisticated luxury can be seen in the iridised silver plating of the dish and the trim accents on the cup, the influences carry through in the clean, geometric shape of the dish and the angular handle of the cup. The cup itself, is made with fine Limoges porcelain.

The wonderful iridised silver plating on the cup and dish was applied by the Italian Silversmiths Calegaro, their mark is present on both pieces. Calegaro are known as partners to luxury brands in the production of their exclusive designs.

CONDITION

Excellent vintage, no chips or cracks to the porcelain, wear and tarnish to the iridised silver plating commensurate with age of the piece, please see photos as part of condition report.
Cup bears on its base 'Jammet-Seignolles, Limoges, France, Exclusivité, Forme Parabole, Kyoto' as well as the 'Calegaro' mark and silver plating mark 'S.A 1000' on the trim.
The dish bears on its base 'Calegaro, silverplated'.

Unpackaged weight: 0.3 kg / 324 g

MEASUREMENTS
Cup: Height: c. 2.2" / 5.5 cm x c. 3.5" / 8.3 cm in diameter.
Dish: c. 5.9" / 15 cm x 5.9" / 15 cm

NOTES
Set will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

A BIT OF HISTORY
Art Deco. From its outset, Art Deco was influenced by the bold geometric forms of Cubism and the bright colours of Fauvism. It was also influenced by updated craftsmanship of the furniture of the Louis Philippe I and Louis XVI eras and the exotic styles of China and Japan, India, Persia, ancient Egypt and Maya art

Jammet Seignolles. In 1962, Henri Seignolles, an established decorator of porcelain and his co-founders acquire "La Fabrique", one of the oldest porcelain manufactories in Limoges that was founded in 1825 in the Brigueuil forest.

Through its continual innovation over the years, Seignolles became one of the major flagship brands of Limoges porcelain. Nearing a 200 year history, J. Seignolles porcelain had become both admired and used by rulers as well as heads of state. In 2004, they were selected from several competitors, to provide all the porcelain tableware for the royal wedding of Prince Felipe of Spain and Letizia. In the same year, the manufactory also supplied the royal family of Saudi Arabia.

In 2008, the factory received the "Entreprise du Patrimoine Vivant" label, am award for its perseverance in perfectionism and the love of the craft of from its spinners, painters, polishers, creators and exceptional art, whose excellence has made the tour of the greatest tables in the world.

THE ITEM
Presenting an exceptional piece of Art Deco influenced design with traces of the Art Nouveau movement in the fabulous combination of brass and glass.

This lampshade is a rare early 20th century find, whilst it's not uncommon to find an Ezan chandelier or sconces, it's less easy to find a lampshade this size with lamp base. The early opalescent glass is made with a technique which incorporated bone ash into the crafting process, you can tell this because when light strikes the glass, it shows off orange-red hues.

The lampshade's stylised and geometrically arranged icicle are a recognised design signature of the glassworks Ezan decor, they also show off the Art Deco design movement influences, which were at it's height when this was made.
The same design influence is reflected in the brass lamp base as are traces of Art Nouveau; the stylised petals crown the top of the base as are stylised leaves and flower buds adorning the rest of the base.

The Art Deco movement was a combination of Modernist styles, fine craftsmanship, rich materials and a breakaway from the previous Art Nouveau design period of detailed ornamentation and heavier materials. During its heyday, the movement represented luxury, glamour and exuberance. This lamp is a beautiful piece of history, epitomising its design roots and would suit a room with Modernist, Contemporary or Vintage inspired decor.

A BIT OF HISTORY
Unfortunately, very little is known about the Ezan glassworks or 'Maison Ezan', other than the site of the factory was based in Ezanville, France where the Ezan glass was produced. Ezan's best known works are in the opalescent stylised icicles, which were hugely popular in the 1930s.

CONDITION
Lampshade: excellent, there is light wear which is commensurate with the age of the piece. There is one tiny fleabite on the inside of the rim - see the last photo of this listing just to get an idea of how tiny this chip is, I've mentioned it for the sake of completeness.
Lamp base has a charming aged patina and a small lift to one edge, again commensurable with age - please do see photos as part of condition report.
The lamp is fully functioning, please note that the plug extension is European.

MEASUREMENTS
Lamp shade - height: c. 3.1" / 8 cm by c. 8.7" / 22 cm diameter (base diameter c.3.1" / 8cm)
Lamp base - height: c. 7.1" / 18 cm by width: c. 7.3" / 18.5 cm (base diameter)
Lamp shade and base combined - height: 8.3" / 21 cm

Unpackaged weight: c. 2.1 kg / 2,103 g

NOTES
Lamp base and shade will be securely packaged and shipping will be insured. Lightbulb is not included. 
Shipping will be combined for multiple items.

THE ITEM
Perhaps I'm biased but I do feel the fire in the opalescent glass is simply incredible and as can be seen in the photos, rays and flickers of sunshine will set the light refractions dancing within  the glass.

The glass is also early Opaline glass, a technique which incorporated bone ash into the crafting process. You can tell this from when the sunlight strikes the glass, it shows off its fiery orange and red hues.

The six pieces featured here are a 'tobacciana' or a smoke set, typical to the popularity of the time to make a fashion statement through decorative personal or home decor accessories.

Today, its much more likely to be a well loved jewel in the crown of a well-cared for collection.

The set consists of:
3 Small segment ridged dishes (they remind me of the shape of a small pumpkin)
1 Large wide low dish
2 Lighters (1 gas, 1 lighter fluid)

The filigree decor style of the brass ormulu is in the High Style Design of the Eames Era with evident Art Nouveau influences. It is also similar to that of the French Bulle Savon glass (Bulle Savon literally translates to 'soap bubble' to imitate the sheen of iridescence of a soap bubble.), popular in the early 20th century.

CONDITION

There is no sign of use on any of the pieces; there is natural patina from antiquity on the brass, which could be polished up or kept for its charm if preferred and there is wear in line with age on the base of the larger glass dish.

All pieces except for the large dish have original labels;
Of the three small dishes; 2 have yellow Murano labels and 1 has red.
Of the lighters; both have red Murano labels,

MEASUREMENTS
Small segment dish: c. 1.5" / 4 cm in height x c. 2.6" / 6 cm in diameter
Large wide low dish: c. 2" / 5 cm in height x c. 4.8" / 12 cm in diameter
Lighters: c. 3.5" / 9 cm in height x c. 2.6" / 6 cm in diameter

Unpackaged weight (full set) c. 1.1 kg / 1,073 g

NOTES
Set will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

A BIT OF HISTORY
Fratelli Toso was founded in 1854 by Pietro Toso and his six enterprising sons; Ferdinando, Carlo, Liberato, Angelo, Giovanni and Gregorio. The name 'Fratelli Toso' literally translates to 'Brothers Toso'.
Initially, glass production was mostly aimed at functional objects such as bottles and flasks for pharmaceutical and domestic use. But with the help of Vincenzo Zanetti (another great glass artist!) and with endless hours of work and practice, Pietro’s sons developed their skills and perfected their technique for hand made glass.

In the years to follow, the company withstood many trials and tribulations, from wars to harsh economic crises, the company would go on to survive to this day as the well known Antica Vetreria Fratelli Toso, carrying its 150 years of glassmaking expertise.