This subtly bold work of Modernist design is British pottery Beswick. Strong curves arch asymmetrically to form the handles on either side of the central vent defining the overall form as a superb backdrop for the contrasting glaze decor.
The base tone of the glaze is the high-quality semi-matte glaze in Buttermilk cream. Overlaid onto the base glaze are handpainted geometric delineations in tones of Dark Chocolate, Apricot, Mint, and Powdered Violet.
The various elements in the design bring sleek sophistication and elegance suiting a room with decor inspired by Modernist, Art Deco, or Contemporary design influences.
CONDITION Excellent, no chips or cracks. There is light wear that is most evident on the underside of and interior that is commensurable with the age of the piece, please see photos as part of the condition report. The underside bears the stamp 'BESWICK, MADE IN ENGLAND' and faintly imprinted the model number '190'.
MEASUREMENTS Height: c. 7.5" / 19 cm tall (from base to rim) x c. 4.8" / 12.3 cm in length (across the widest point). Unpackaged weight: c. 0.7 kg / 700 g
A BIT OF HISTORY Beswick Pottery The Beswick firm was founded as 'J W Beswick' in 1892 by James Beswick and his sons in Staffordshire and originally produced tablewares and ornaments. The pottery was chiefly known for producing high-quality porcelain figurines such as animals and Beatrix Potter characters that have become highly sought after in the collectables market.
Following James Beswick's death in 1921, his grandson John took over and continued to expand the business. In 1934, introduced a new range of jugs, bowls and vases decorated with new matte glazes. Responding to the Modernist design influence of the time, many of these highly distinctive shapes were designed by Mr Symcox . These works were often decorated in 'satin matte' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000's.
Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in their Art Deco pieces as they survive in very good condition. They also justify Beswick's annoucement in a 1930's advertisement of "a sound body, with a brilliant, non-crazing glaze fashioned in hundreds of shapes".
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
Beswick Pottery, Clarice Cliff Era, Art Deco Footed Jug Vase, Cobalt, Flax and Sienna Drip Glaze
Regular price£80.00
Save £-80.00
This subtly bold work of Art Deco design is British pottery Beswick. With strong curves that infer Streamline Moderne, the international style of Art Deco that emerged in the 1930s was inspired by aerodynamic design. The elevated and sharp overlapping fins that form the triangular mouth of this piece capture attention with its presence. The overall form is a superb backdrop for the contrasting glaze decor.
The interior of the mouth is a striking Mint green which beautifully compliments the semi-matte drip glaze composition of Cobalt Blue, Flax Yellow that is finished with an accent of Sienna brown. The flow of the glaze beautifully contrasts against the strongly defined geometric lines of the piece.
The various elements in the design bring sleek sophistication and elegance suiting a room with decor inspired by Modernist, Art Deco, or Contemporary design influences. The excellent condition, model and palette of this work are a rare find.
CONDITION Excellent, no chips or cracks. There is mild crazing to the glaze and light wear that is most evident on the underside of the feet which is commensurable with the age of the piece, please see photos as part of the condition report. The underside of the feet is faintly embossed with 'BESWICK ENGLAND' and only the belly underside, the model number '178'.
MEASUREMENTS Height: c. 7.5" / 19 cm tall (from base to rim) x c. 7.1" / 18 cm in length (across the widest point). Unpackaged weight: c. 1.0 kg / 980 g
A BIT OF HISTORY Beswick Pottery The Beswick firm was founded as 'J W Beswick' in 1892 by James Beswick and his sons in Staffordshire and originally produced tablewares and ornaments. The pottery was chiefly known for producing high-quality porcelain figurines such as animals and Beatrix Potter characters that have become highly sought after in the collectables market.
Following James Beswick's death in 1921, his grandson John took over and continued to expand the business. In 1934, introduced a new range of jugs, bowls and vases decorated with new matte glazes. Responding to the Modernist design influence of the time, many of these highly distinctive shapes were designed by Mr Symcox . These works were often decorated in 'satin matte' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000's.
Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in their Art Deco pieces as they survive in very good condition. They also justify Beswick's annoucement in a 1930's advertisement of "a sound body, with a brilliant, non-crazing glaze fashioned in hundreds of shapes".
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
Albert Hallam for Beswick Pottery, MCM Modernist Triangular Footed Ceramic Dish, 1960s-70s
Regular price£135.00
Save £-135.00
This subtly bold work of Modernist design influence is by designer and modeller Albert Hallam. The elevated and sharp Right Triangle form of this piece captures attention with its presence and difficult to avoid wherever it is displayed. The form is a superb backdrop for the contrasting glaze decor.
The interior decor is a glossy golden mustard that is not particularly loud on its own. However, when paired with the matte yet iridescent black lustre glaze on the exterior, it becomes a necessity for emphasising the sharply geometric form of the piece.
The various elements in the design bring sleek sophistication and elegance suiting a room with decor inspired by Modernist, Retro, Contemporary, or Industrial design influences. The excellent condition and design of this work are a rare find.
CONDITION Excellent, no chips or cracks. There is mild use wear that is most evident on the underside of the feet that is commensurable with the age of the piece, please see photos as part of the condition report. The underside of the dish is debossed with 'BESWICK ENGLAND' and the model number '1985' with production period dated to between 1964 to 1972.
MEASUREMENTS Height: c. 3.9" / 10 cm tall (from base to rim) x c. 14.6" / 37 cm in length x c. 9" / 23 cm in width. Unpackaged weight: c. 1.1 kg / 1,071 g
A BIT OF HISTORY Albert Hallam (b. 1912 - d. 1975/76) Albert Hallam joined Beswick in 1926 at the age of fourteen as apprentice mould maker and in due course became the head of mould making and an important modeller in his own right. The growth of his influence followed the retirement of Arthur Gredington and Hallam was instrumental in maintaining Beswick’s high standard of modelling and figure creation.
Beswick Pottery The Beswick firm was founded as 'J W Beswick' in 1892 by James Beswick and his sons in Staffordshire and originally produced tablewares and ornaments. The pottery was chiefly known for producing high-quality porcelain figurines such as animals and Beatrix Potter characters that have become highly sought after in the collectables market.
Following James Beswick's death in 1921, his grandson John took over and continued to expand the business. In 1934, introduced a new range of jugs, bowls and vases decorated with new matte glazes. Responding to the Modernist design influence of the time, many of these highly distinctive shapes were designed by Mr Symcox . These works were often decorated in 'satin matte' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000's.
Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in their Art Deco pieces as they survive in very good condition. They also justify Beswick's annoucement in a 1930's advertisement of "a sound body, with a brilliant, non-crazing glaze fashioned in hundreds of shapes".
NOTES Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
Tremaen Studio Pottery, Gwarra Series, Sculptural Cornish Ceramic Lamp Base, 1974-1980, British
Regular price£168.00
Save £-168.00
This elegantly sculptural, hand-built, and glazed studio art ceramic lamp is of British Modernist design by Peter Ellery for his Cornish pottery studio Tremaen Pottery (1965 - 1988). Ellery's work is heavily influenced by the Cornish environment where the Tremaen studio was based. Influences such as sea-washed pebbles, rocks, and boulder-shaped forms, and Cow Parsley from abundant hedgerows inspired the décor, as are traces of rough-hewn stone harbour walls and whitewashed fishermen's cottages. Many pieces have an organic feel, being deliberately weathered or textured.
This particular piece comes from the 'Gwarra' series. 'Gwarra' is the Cornish word for 'higher' and is believed to relate to the Cornish coastal feature 'Pol Gwarra' or 'Pol Gwartha' [tr. 'Higher Pool']. The decor of this lamp reflects the influences and textural references from the Cornish coastal and countryside landscape. The overall composition is characterised by the tactile, organic qualities with the lamp body shaped like a pebble worn smooth by the ocean tide and the textured decor resembling trails in the wet sand. The glaze is silky and touch-inviting, with the colour palette comprising of rich, semi-matte Dark Chocolate, Mocha browns blended with Cappuccino Foam and Creams.
This stunning piece brings to life many key principles of Modernist design, with a focus on combining function with bringing forth the beauty in the natural material.
CONDITION Excellent. No chips, cracks, or repairs. There is faint wear to the protective felting on the underside of the base that is commensurate with the age of the piece. Please see photographs as they form part of the condition report. The underside of the base is fitted with protective felting and also bears Tremaen's original label. The lamp takes standard European A-series Bayonet bulb.
MEASUREMENTS Height: c. 7.9" / 20 cm high (excluding bulb holder) c. 9.8" / 25 cm (including bulb holder). Width c. 4.5" / 11.5 cm (across the widest point) x depth: c. 3.1" / 8 cm. Base measurements: c. 4.9" / 12.5 cm x c. 3.3" / 8.5 cm. Weight: c. 1 kg / 970 g. The lamp takes a standard A-series Bayonet bulb with a British plug fitting.
A BIT OF HISTORY Peter Ellery, Tremaen Pottery (1965 - 1988) Tremaen Pottery was founded by Peter Ellery in Marazion, UK in 1965, typically creating large-scale pieces using unconventional techniques in both construction and glazing. His work quickly gained appreciation and popularity, and within 2 years Tremaen Pottery moved to larger premises in Newlyn with the workforce expanding to twelve to cope with demand.
Although work continued to be by hand, the range of pieces produced by Tremaen expanded to include smaller-scale and figural pieces. Tremaen's work maintained its popularity but sadly, the recession of the early 1980s created increasing economic difficulties. Ellery sustained Tremaen's production until 1988 when he made the decision to close the pottery.
Tajima Glass, Watermelon Tourmaline Palette, Sculpted Handkerchief Dish, 1960s-70s, Japanese
Regular price£45.00
Save £-45.00
This striking and romantically joyful work of handblown Japanese mid-century art glass is by the glassworks Tajima, who was known to have produced art glass under the label of Best Art Glass.
Elegant and graceful, the curves that shape the 3 lobed 'petals' creates an organic 'unfurling' from the centre. The palette is a striped arrangement of Sakura pink followed by Cobalt blue and Emerald green, handblown into a swirling pattern to create the main featured colouring of the piece. The gem-like tones vary in intensity and finish with an accent of clear glass at the base.
CONDITION Excellent. There are no chips or cracks, only mild wear on the surface that is commensurable with age. Please refer to the photos as they form part of the condition report. The underside of the base has a concave pontil that is a known finishing touch of Japanese art glass.
MEASUREMENTS Height: c. 3.1" / 7.8 cm (base to rim) Diameter: c. 7.4" / 18.8 cm (across widest point). Base diameter: c. 3.1" / 8 cm. Unpackaged weight: c. 1 kg / 970 g
NOTES Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items
A BIT OF HISTORY Tajima Glassworks Unfortunately, little is known about Tajima Glass. However, it is known that the glass studio was founded in 1956, in Tokyo, Japan, by Matsutaro Tatsuta. They are known for coloured, textured and often mould-blown or hot-worked art glass. Tajima Glass are still operating today. The quality and style of their work are similar to other Japanese glassworks, rivalling and often mistaken for Italian Murano glass and Czech glass from the same period.
This vibrant handblown work of mid-century Japanese 'Fazzoletto' art glass is by Hokuyo Glassworks. Glass collectors familiar with the Murano technique Fazzoletto (translation 'handkerchief) will know that this is the art of crafting glass to mimic the elegant flowing folds of fabric.
Elegant and graceful, the curves that shape the 6 lobed 'petals' rise and fall asymmetrically to create an organic 'unfurling'. The Hokuyo interpretation of the Fazzoletto technique, the exterior of this piece has the palette of rich Scarlet red with light swathes of Charcoal ending in a clear casing at the base. The interior is a sumptuous Milk-white strikingly offsetting the red exterior.
Amongst collectors, the skill and quality applied in creating Japanese art glass is very much known to rival its Western counterparts and can often be more difficult to find.
CONDITION Excellent. There are faint movement marks that are on the underside of the base. All wear is commensurable with age. Please refer to the photos as they form part of the condition report. The underside of the base has a concave pontil, a known finishing touch of many Japanese glassworks.
MEASUREMENTS Height: c. 8.5" / 21.5 cm (base to rim). Width: c. 7.1" / 18 cm (across widest point). Base measurement: c. 3.3" / 8.3 cm (across widest point). Unpackaged weight: c. 1.6 kg / 1,555 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Hokuyo Glassworks Founded in 1949 in the prefecture of Aomori in Japan, Hokuyo built a reputation for producing glass floats for fishing and eventually became known as a top producer by the early 1970s. Around this time, the glassworks also became known for producing Tsugaru Bidoro (Tsugaru glass) and experimenting with vibrant art glass.
Tsugaru Bidoro is created by a 'free-blown' technique of glass-blowing originating in the 1st Century BC. Over the years, Hokuyo has continued to experiment with molding technology and coloured glass that today, emphasises the four seasons with colour as well as the 'creator's feelings and passion'.
Iwatsu Hineri, Buttercup, Scarlet and Electric Blue Stripe Flower Vase,1960s-70s, Japanese
Regular price£110.00
Save £-110.00
This vibrant handblown work of mid-century Japanese 'Fazzoletto' art glass is by Iwatsu Hineri glassworks. Glass collectors familiar with the Murano technique Fazzoletto (translation 'handkerchief) will know that this is the art of crafting glass to mimic the elegant flowing folds of fabric.
Elegant and graceful, the curves that shape the 5 lobed 'petals' create an organic 'unfurling' from the centre. The Iwatsu Hineri interpretation of the Fazzoletto technique, this particular piece has the rarer colour palette of Buttercup yellow, Scarlet red and Electric blue vs the more common Apricot peach, Scarlet red and Violet purple palette.
The colours swirl gloriously from the centre within the clear-cased base with the capturing of colour rival to the Murano Sommerso ['submerged'] technique. The interior of the vase enables a view of the swirling into the varying intensities of colour into the folds and lobes of the vase.
Amongst collectors, the skill and quality applied in creating Japanese art glass is very much known to rival its Western counterparts and can often be more difficult to find.
CONDITION Excellent. There are faint movement marks that are on the underside of the base. All wear is commensurable with age. Please refer to photos as they form part of the condition report. The underside of the base has a concave pontil that is a known finishing touch of Iwatsu.
MEASUREMENTS Height: c. 5.8" / 14.7 cm (base to rim). Width: c. 7.4" / 18.8 cm (across widest point). Base measurement: c. 2.2" / 5.7 cm (across widest point). Unpackaged weight: c. 1.2 kg / 1,205 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Iwatsu Glassworks Unfortunately, little is known about Iwatsu despite being one of the largest glassmakers in Japan, the commonly cited and understood reason is due to language barriers. However, Iwatsu is deemed to have produced art glass under the Hineri and Art Glass labels before closing in the 1990s. Iwatsu were known to have been based in Osaka in Japan, producing colourful art glass during the 1970s. The quality and style of their work rivalled and is often mistaken for, Italian Murano glass and Czech glass from the same period.
Tremaen Studio Pottery, Cow Parsley Series, Sculptural Cornish Ceramic Lamp Base, 1984-1988, British
Regular price£148.00
Save £-148.00
This elegantly sculptural, hand-built, and glazed studio art ceramic lamp is of British Modernist design by Peter Ellery for his Cornish pottery studio Tremaen Pottery (1965 - 1988). Ellery's work features a heavy influence from the Cornish environment where the Tremaen studio was based. Influences such as sea-washed pebbles, rocks, and boulder-shaped forms, and Cow Parsley from abundant hedgerows inspired the décor, as are traces of rough-hewn stone harbour walls and whitewashed fishermen's cottages. Many pieces have an organic feel, being deliberately weathered or textured.
This particular piece comes from the Cow Parsley series, reflecting the influences and textural references from the Cornish coastal and countryside landscape. The overall composition is characterised by its exceptionally tactile and organic qualities, shaped like a pebble worn smooth by the ocean tide to reveal the Cow Parsley fossil impression. The glaze is silky and touch-inviting, with the colour palette comprising of a rich, semi-matte Dark Chocolate, Mocha browns blended with Cappuccino, Flat White creams.
This stunning piece brings to life many key principles of Modernist design, with a focus on combining function with bringing forth the beauty in the natural material.
CONDITION Excellent. No chips, cracks, or repairs. There is faint wear to the protective felting on the underside of the base that is commensurate with the age of the piece. Please see photographs as they form part of the condition report. The underside of the base is fitted with protective felting and also bears Tremaen's original label. The lamp takes standard A-series Bayonet bulb.
MEASUREMENTS Height: c. 7.9" / 20 cm high (excluding bulb holder) c. 9.8" / 25 cm (including bulb holder). Width c. 4.5" / 11.5 cm (across the widest point) x depth: c. 3.1" / 8 cm. Base measurements: c. 4.9" / 12.5 cm x c. 3.3" / 8.5 cm. Weight: c. 1 kg / 970 g. The lamp takes a standard A-series Bayonet bulb with a British plug fitting.
A BIT OF HISTORY Peter Ellery, Tremaen Pottery (1965 - 1988) Tremaen Pottery was founded by Peter Ellery in Marazion, UK in 1965, typically creating large-scale pieces using unconventional techniques in both construction and glazing. His work quickly gained appreciation and popularity, and within 2 years Tremaen Pottery moved to larger premises in Newlyn with the workforce expanding to twelve to cope with demand.
Although work continued to be by hand, the range of pieces produced by Tremaen expanded to include smaller-scale and figural pieces. Tremaen's work maintained its popularity but sadly, the recession of the early 1980s created increasing economic difficulties. Ellery sustained Tremaen's production until 1988 when he made the decision to close the pottery.
This vivid work of mid-century handblown Japanese art glass design is by Iwatsu Hineri glassworks. Glass collectors familiar with the Murano technique Sommerso (translation 'submerged) will know that this is the art of capturing segments of solid colour in clear glass.
The graceful, extending corners with one flourishing curl are a classic to Hineri interpretation of mid-century art glass, just as the capturing of the Scarlet red, Tangelo orange and Violet within the clear cased triangular base is a rival to the Sommerso technique. The interior of the dish enables a view of the swirling colours as they whirl outwards into varying intensities of colour into the extended corners.
Amongst collectors, the skill and quality applied in creating Japanese art glass is very much known to rival its Western counterparts and can often be more difficult to find. Hineri vases and 4-petalled dishes in this palette are common but the tricorn form of this piece makes it a particularly rare find.
CONDITION Very good. No chips and cracks to the exterior. There is negligible surface wear and a micro bruise on the underside of the base that is commensurable with age. Please refer to photos as they form part of the condition report. The concave pontil on the underside of the base is a known finishing touch of Iwatsu.
MEASUREMENTS Height: c. 4.6" / 11.8 cm (base to rim). Width: c. 10" / 25.5 cm (across widest point). Base measurements: c. 3.7" / 9.4 cm (across widest point). Unpackaged weight: c. 1.3 kg / 1,315 g
NOTES Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Hineri Iwatsu Glassworks Unfortunately, little is known about Hineri Iwatsu despite being one of the largest glassmakers in Japan, the commonly cited and understood reason is due to language barriers. However, Iwatsu is deemed to have produced art glass under the Hineri and Art Glass labels before closing in the 1990s. Iwatsu were known to have been based in Osaka in Japan, producing colourful art glass during the 1970s. The quality and style of their work rivalled and is often mistaken for, Italian Murano glass and Czech glass from the same period.
Murano, Scarlet Candy, Amber and Midnight Blue Palette, Statement Splash Centrepiece, 1960s-70s
Regular price£595.00
Save £-595.00
This striking and vivid work of handblown, Italian mid-century art glass design brings with it the beauty created by expert Murano art glass techniques.
The form is that of a stylised, unfurling splash, expertly hot-worked into the elegantly dramatic form with vibrantly flourishing and poised tips. The base colour is the iconic and rich Murano Scarlet red, classic to the mid-century period which cascades into the companion Candy red and Amber and encasing petals of Midnight blue. The encasing of colour within colour is the well-known technique name Sommerso. One of the most commonly known Murano techniques characterised by an outer layer of glass with the effect of definitively capturing colour.
The form of this piece is distinctive as not are the petals of Midnight blue captured with the Sommerso technique but the overall form was also 'pulled' when the glass was molten to create the ridged and highly tactile effect. The compound effect from the different techniques has created a superb canvas for the refraction of light.
The iconic colour palette, form and majestic size make this piece excellent for a standalone display.
CONDITION Excellent. No chips, cracks or repair. There is negligible surface wear and movement marks on the underside of the base that is commensurable with the age of the piece - please see photos as they form part of the condition report.
MEASUREMENTS Height: c.7.5" / 19 cm tall (from base to tip) x c.19.7" / 50 cm in length (across longest point). Width: c. 9" / 23 cm. Base measurements: c. 4.1" / 10.5 cm x 3.7" / 9.5 cm. Unpackaged weight: c. 2.6 kg / 2,640 g
A BIT OF HISTORY The Sommerso [Literal translation 'submerged'] technique was brought to fame by Archimede Seguso c.1950s, prior to his exploration into the Bullicante technique. The technique is used to create layers of glass - often several layers and usually with different contrasting colours - inside a single object, giving the illusion of “immersed” colours without mixing. The different layers of glass are put through heat, repeatedly immersing them in pots of molten coloured glass before being encased in an outer layer of colourless glass.
This exquisite and majestic work of mid-century art glass is attributed and bears the technical hallmarks of Canadian art glassworks Chalet Artistic Glassworks which was originally located in Cornwall, Ontario. (Estd. 1962 to 1975)
Crafted with the heritage of Murano techniques, this particular piece uses the technique of Sommerso [tr. 'Submerged'] to capture the liquid Tangelo orange colour into the clear crystal base casing. The impressive 'wings' of the dish are teased outwards from the centre as the dish unfurls. Further complimenting the form are beautifully and evenly ridged lobes that trace the unfolding form.
This exceptional piece of handblown art glass is most suitable for standalone statement display and can be used either functionally or for aesthetic display.
CONDITION Excellent. There is negligible and most prominent wear in the form of movement marks on the underside of the base that is commensurable with the age of the piece, please refer to the photos as they form part of the condition report.
MEASUREMENTS Height: c. 8.3" / 21 cm tall (from base to rim) x c. 19.8" / 50.3 cm in length (across longest point). Width measurements: c. 7.4" / 18.8 cm (across widest point). Base measurements: c. 4.7" / 12 cm x c. 4.7" / 12 cm. Unpackaged weight: c. kg 2.6 / 2,580 g
A BIT OF HISTORY Chalet Artistic Glass (Estd. 1962 to 1975) Chalet glass was founded in 1958 in Montreal as Les Industries de Verre et Miroirs before changing its name to Murano Glass in 1960. After a devastating fire, the glassworks moved to Cornwall after encouragement from federal government financial incentives, resuming production in 1961.
The glassworks was Canada’s first handmade decorative glassware company founded by three master glass artists from Venice: brothers Angelo and Luigi Tedesco and Sergio Pagnin. Experiencing success, additional Venetian glassblowers were hired as well as local, Cornwall-based assistants.
Early production was in the style of traditional Venetian glass that was ornate, following the joining of Sid Heyes from Toronto as its first president, and Garry Daigle as sales manager, Angelo Tedesco and the glassblowers were persuaded towards simpler styles.
Production shifted to the fluid lines and heavy free-form style of what is known as stretch glass and sales began to soar. The glassworks name was finally changed to Chalet Artistic Glass in 1962. Pieces were produced in attention captivating vivid, jewel tones in the 1960s and the organic, flowing shapes were exciting. The range was broad, including centrepieces, bowls, vases, candleholders, baskets, goblets, birds and animals. Chalet Glass entered the United States and Commonwealth markets with more than 400 shapes.
Despite the glass artists incredible skill, there were problems within the business operations and sadly, the glassworks went bankrupt in 1975
Ingrid Atterberg for Upsala Ekeby, 1957-59 'Chamotte' Series Sculptural Modernist Vase, Sweden
Regular price£185.00
Save £-185.00
This awesome work of Mid-Century Modern design is by Ingrid Atterberg, (b. 1920 - d. 2008) a celebrated epitome for illustrious 20th-century Swedish ceramic design. Atterberg was also a leading designer for Upsala Ekeby for whom she designed this vase.
This hand-thrown and hand-glazed piece comes from Atterberg's Chamotte series designed in 1957 and in production between 1957-1959. The series would go on to be very well-known during this time. The series is comprised of earthenware bowls and vases, characterised by raw textured earthenware juxtaposing the gloss and matte glaze.
This particular piece is beautifully rounded, an excellent canvas for the hand-glazed decor. The chamotte earthenware is incised with sgraffito bands that are filled with the Milk white glaze and a wash all over the bottle form creates the semi-gloss glaze dapple effect. The piece is finished with a band of gloss Iris purple around the belly of the vase as well as the neck.
A Modernist design piece that is classic of its time yet also contemporarily timeless.
CONDITION Excellent. No chips, cracks, or repairs. There is mild wear to the underside of the vase that is commensurable with the age of the piece. Please refer to the photographs as they form part of the condition report. The underside is inscribed and stamped with 'UE, 3030 and '547'.
MEASUREMENTS Height: c. 7.5" / 19 cm tall (from base to rim) x c. 1.2" / 3 cm rim diameter. Diameter: c. 4.9" / 12.5 cm (across widest point. Base diameter: c. 4.7" / 12 cm. Unpackaged weight: c. 0.7 kg / 720 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Ingrid Magdalena Atterberg-Göransson (b. 1920 - d. 2008) was a celebrated epitome of illustrious Swedish ceramic design of the 20th century and a leading designer for Upsala Ekeby in the 1950s and 1960s. Atterberg is represented at the Swedish National Museum of Art and Design.
In 1944, she was employed at Upsala Ekeby, where appreciation for her works as a ceramicist continued to grow over the years. She was known for using 'manganese clay' in the 1940s and chamotte in the 1950s and successfully developed her own glazes. In the late 1940s, her own collection called "Ekeby Verkstad" was born with a numbered series that began at 100.
During her career, Atterberg had several exhibitions and received a gold medal for her work in Italy as well as completing a number of public commissions.
Tilgmans Keramik, Swedish Mid Century Modernist Sgraffito Sculptural Bottle Vase, 1960s-70s
Regular price£565.00
Save £-565.00
This striking work of Swedish mid-century Modernist design is by Tilgmans Keramik of Gothenburg, Sweden, and was designed during the era of Marian Zawadzki (b. 1912 - d. 1978) a professor, artist, and ceramist who became artistic director for Tilgmans during the fifties. A bottle vase personally incised and signed by Zawadski in an aesthetically similar style can be seen in the photos.
Zawadzki's experimentation with the Sgraffito technique brought great popularity and appreciation for Tilgman's ceramics and his work became exemplary for Tilgmans.
Zawadzki's stylised use of the Sgraffito technique is a significant feature in this piece, with deep incisions creating the angular and textured décor. True to the roots of Modernist design, the simple bottle form and boldly geometric décor overlaid onto the base material speaks to an honest expression of the natural earthenware. From the incised décor to the glaze to the earthenware, all aspects are highly tactile. The unglazed sections creates confident contrast against the individually glazed sections of boldly geometric, Sgraffito décor. The vase is finished with an interior of gloss glaze that is coloured in a dappled brown on beige, a 'cookies and cream' effect.
This Swedish Modernist work is stylistically bold and timeless, making it suitable as a statement feature for its surrounding space.
CONDITION Superb. No cracks or repairs. There are minor, negligible chips on the exterior which are commensurate with the age of the piece, and mild use wear on the interior. Please refer to the photos as they form part of the condition report. The underside of the base of the vase is stamped with 'Tilgmans Keramik' and 'Made in Sweden' stamp and model number '619'.
MEASUREMENTS Height: c. 16.9" / 43 cm tall (from base to rim) x c. 3.5" / 8.8 cm rim. Base diameter: c. 5.1" / 13 cm. Unpackaged weight: c. 2.2 kg / 2,230 g.
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Marian Zawadzki (b. 1912 - d. 1978) Antoni Marian Zawadzki (sometimes known as 'Zawadski' or 'Zawadsky') was an associate professor, artist and ceramist, was born in Poland in 1912 who, as a refugee, moved to Gothenburg in Sweden in 1953. In Gothenburg he worked as an artistic director at Tilgmans Keramik. Zawadzki's best known for his richly decorated objects in the Sgraffito technique.
His works included lamp bases, vases, bowls, urns and wall plates and he would receive commissions for public, municipal and private buildings. Zawadzki would leave Tilgman's Ceramics in 1970, moving to Vallda outside Kungsbacka where he opened his own workshop, Vallda Keramik. The production in his own workshop is very similar to his work at Tilgmans.
Beswick Pottery, Ciro Series, Art Deco Ruskin-Style Dimpled Vase with Stylised Flora Decor, 1930s
Regular price£45.00
Save £-45.00
This gorgeous work of original Art Deco design is by the British company Beswick Pottery. From the softly geometric, chasing triangles in raised relief decor to the classic ginger urn form with the twist of added depressions of 'dimples', the form of this piece is clean and elegant and classically Art Deco. The excellent form is complimented by a semi-matte Pale-Grey dappled on Stone base glaze complimented by the handpainted, stylised flora decor in powdered tones of Teal, Buttercup, Cornflower and Lilac.
CONDITION Excellent. No chips, cracks or repairs. There is natural and mild crazing all over and light use wear on the interior of the vase that is commensurate with the age of this piece. The underside of the base is inscribed with 'Beswick Ware, MADE IN ENGLAND' and the impressed model number '70'.
MEASUREMENTS Height: c. 7" / 18 cm tall (from rim to base) x c. 5.3" / 13.5 cm wide (across widest point). Base diameter: c. 3.5" / 9 cm. Weight: c. 0.8 kg / 750 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY The Beswick firm was founded around the 1890s by John Beswick in Staffordshire, UK. His son James would take over upon his death, introducing a new range of jugs, bowls and vases decorated with new matt glazes. Responding to the modernist influence in design, many of these highly distinctive shapes were designed by Mr Symcox and decorated in 'satin matt' glazes using soft pastel colours running into each other or arranged in striking modern geometric blocks and lines. Beswick would go on to become known for their ceramic animal figures before being taken over by Royal Doulton in 1969 and finally closing in the early 2000s.
Though it is said these pieces will never be worth thousands, still, there is revived and growing interest in these Art Deco pieces as they survive in very good condition.
Pair of Kurt Tschörner for Ruscha Keramik, Sculptural Abstract 321 Jug Vases, 1960s-70s, WGP
Regular price£675.00
Save £-675.00
These sleek and chic works of iconic mid-century Modern art pottery are by celebrated and prominent designer Kurt Tschörner (b. 1912 - d. 1987) for the influential West German Pottery studio of Ruscha Keramik (1905 - 1996).
The form features gently exaggerated curves and arches all over, reminiscent of popular works of Italian art potteries such as Bertoncello Ceramiche and Roberto Rigon with echoes of architectural geometricism worked into the design. The form is an excellent canvas for the semi-matte and textured lava glaze with similarly bold, hand-painted curves, delineation, charming florals, and colour palette.
With the seamlessly blended echoes of Italian mid-century art pottery design and earlier Art Deco and Picasso-Cubist-esque influences to the form, it's easy to see why this form is sought after.
The combination of the form, condition, sizes, and palette makes this duo an even rarer find. These statement works are excellent for stand-alone display.
CONDITION Excellent. No chips, cracks, or repair. There is negligible surface wear and movement marks on the underside of the bases that is commensurable with the age of the pieces - please see photos as part of the condition report. The underside of the bases are signed - the taller: '321/4, Ruscha, Handgemalt (Handmade) M' and the smaller '321/3, Ruscha, Handgemalt (Handmade) Ed'.
MEASUREMENTS 321/4 Height: c. 9.6" / 24.3 cm (from base to rim) x c. 6.5" / 16.5 cm in length (across longest point). Width: c. 4.3" / 11 cm. Base measurements: c. 3.5" / 9 cm.
321/3 Height: c. 7.9" / 20 cm (from base to rim) x c. 5.1" / 13 cm in length (across longest point). Width: c. 3.9" / 10 cm. Base measurements: c. 2.9" / 7.3 cm. Unpackaged weight [Pair]: c. 1.2 kg / 1,215 g
A BIT OF HISTORY Ruscha (established 1906 - 1996) Originally founded in Rheinbach by Georg Schardt, it was known as Klein & Schardt until 1948. Rudolf Schardt would take over the company and rename it to Ruscha, the name created from the first letters of his fore and surname. As Ruscha entered the ceramics boom in the 1950s, the pottery was joined by art pottery director Cili Wörsdörfer who made her handpainted designs for series such as Milano and Zebra wildly popular. Otto Gerharz was the production director, designing innovative glazes such as Vulkano.
Ruscha would later add to its success with Kurt Tschörner joining in the 1960s, designing whimsical and daring forms such as the 313 and 321 jug vase that became and remain sought-after hits.
Other greats who joined Ruscha included Ernst Borens, Hans Welling and Adele Bolz. Unfortunately, the pottery's success came to an end in the 1990s, when it finally closed its doors in 1996, selling its name and many designs to Scheurich who produced vintage-inspired designs under the 'Ruscha Art' brand.
This sleek and chic work of iconic mid-century Modern art pottery is by influential West German Pottery studio of Ruscha Keramik (1905 - 1996).
The form features gently exaggerated curves inward becoming an excellent canvas for the semi-matte and textured lava glaze with bold, hand-painted curves, round-angled shapes, charming blue and yellow florals. The colour palette is whimsical, carrying echoes of the 1960s-70s Flower Power period during which the piece was created.
The combination of the form, condition, size, and palette makes it a rare find. This work makes it an excellent statement piece for stand-alone display.
CONDITION Excellent. No chips, cracks, or repairs. There is negligible surface wear and movement marks on the underside of the base that is commensurable with the age of the piece - please see photos as part of the condition report. The underside of the base is signed with '708 2, Ruscha, Handgemalt (Handmade) BW'.
MEASUREMENTS Height: c. 2.8" / 7 cm (from base to rim) x c. 12.7" / 32.3 cm in width (across widest point). Base measurements: c. 3.9" / 9.9 cm. Unpackaged weight: c. 1.2 kg / 1,190 g
A BIT OF HISTORY Ruscha (established 1906 - 1996) Originally founded in Rheinbach by Georg Schardt, it was known as Klein & Schardt until 1948. Rudolf Schardt would take over the company and rename it to Ruscha, the name created from the first letters of his fore and surname. As Ruscha entered the ceramics boom in the 1950s, the pottery was joined by art pottery director Cili Wörsdörfer who made her handpainted designs for series such as Milano and Zebra wildly popular. Otto Gerharz was the production director, designing innovative glazes such as Vulkano.
Ruscha would later add to its success with Kurt Tschörner joining in the 1960s, designing whimsical and daring forms such as the 313 and 321 jug vase that became and remain sought-after hits.
Other greats who joined Ruscha included Ernst Borens, Hans Welling and Adele Bolz. Unfortunately, the pottery's success came to an end in the 1990s, when it finally closed its doors in 1996, selling its name and many designs to Scheurich who produced vintage-inspired designs under the 'Ruscha Art' brand.
Josef Cvrcek and Miloslav Klinger for Zelezny Brod Sklo, Statement Neodymium Vase, 1960s-70s, Rare
Regular price£575.00
Save £-575.00
This beautifully biomorphic and handblown work of Czech Modernist art glass was designed by Josef Cvrcek (b. 1931 - d. 2010) and Miloslav Klinger (b. 1922 - d. 1999) for Bohemian glassworks Zelezny Brod Sklo (ZBS). This piece is a rare-to-market work standing at an imposing 15" in height and crafted from Neodymium (Alexandrite) glass into the organically tactile, twin-chambered form. The rarity of this piece comes from this particular piece's form being crafted from Neodymium, the condition, and this statement size.
The contemporary form of this piece is composed of a central chamber that is echoed by a smaller, asymmetrical chamber, both of which are firmly cradled by the main body of the solid crystal glass.
This work is not only special in the abstract, organic form that creates elegant refractions but it also has the ability to colour change. The colour-changing ability comes from Neodymium, an element incorporated into the glass during the crafting process. Under daylight, the Neodymium glass presents a pale lilac colour however, under indoor and fluorescent lighting, the element becomes a pale blue.
CONDITION Excellent, no chips or cracks or repairs. There is very mild surface wear that is commensurate with the age of the piece and most evident in movement marks on the underside of the base. Please refer to the photos as they form part of the condition report.
MEASUREMENTS Height c. 15.3" / 38.5 cm x c. 7.9" / 20 cm in width (across the widest point). Depth (Thickest point) measurements: c. 2.6" / 6.5 cm. Rim measurement: c. 1.6" / 4 cm x c. 1" / 2.3 cm. Base measurements: c. 5" / 12.6 cm x c. 2.6" / 6.5 cm. Unpackaged weight: 4.5 kg / 4,470 g
NOTES Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY Josef Cvrcek (b. 1931 - d. 2010) Josef Cvrcek began his career as a glassblower in 1945. He started working at the Zelezny Brod Sklo Glassworks in 1951 and quickly gained recognition for his innovative glass designs. Cvrcek was known for his ability to manipulate glass in ways that were previously thought impossible, such as creating thin, delicate structures that appeared to defy gravity. His work often featured organic forms and abstract shapes, and he frequently incorporated color and texture into his designs. Cvrcek's work can be found in museums and private collections around the world.
Miloslav Klinger (b. 1922 - d. 1999) Miloslav Klinger was born in Hrubá Horka near Železný Brod. After a year of apprenticeship in glass chandeliers with Josef Kleinert, Klinger studied at the Glass School in Železný Brod under the guidance of prof. Jaroslav Brychta and master Jan Stuchlík. After graduating, Klinger worked in Kleiert's company as a designer for two years. After completing his studies, Klinger returns to Železný Brod as a designer, where, apart from his brief career as director of the Glass School in Železný Brod, he remained throughout his life.
Zelezny Brod Glassworks Železný Brod is an old glass-producing town founded in the eleventh century. It was originally known as Brod ("ford") or Brodek ("little ford"). Železný ("iron") was added to its name in the fourteenth century, alluding to the town's steelworks. The town's main industry is represented by producers of blow-moulded glass, as well as that of jewellers. The Železný Brod (ZBS) glassworks was created in 1948 as a result of nationalisation, at the time, this was made up of 9 glass factories in the town. ZBS being particularly well known for its free-form organic vases and bowls designed by Miroslav Klinger.