This exceptional work of French Art Nouveau cameo glass is by one of the most prominent glassworks Daum, based in the city of Nancy (1878 - present). The Daum studio creates their art in crystal and remains as one of the only studios who use the pâte de verre process for art glass and crystal sculptures.
Designed and crafted in the 1900s, the form and glowing ethereal palette of this piece is a rare combination that has made it a feature in the dedicated book "Daum - Maitres Verriers" by Edita Denoel, (Edita S.A. Lausanne, 1980, p. 61). The base colour palette is composed of cool and faintly opalescent pale blue tones, which has been overlaid with the tactile golden-hued Zucchini leaves, stems, flower buds and tendrils in high relief.
CONDITION
Excellent. No chips, cracks or repairs. There is mild wear to the surface that is commensurate with the age of the piece. Please refer to photos as they form part of the condition report. The vase bears the Daum Nancy signature with the Croix de Lorraine mark.
MEASUREMENTS
Height c. 9.8" / 25 cm by c. 3.9" / 10 cm diameter (across widest point). Rim (opening) diameter: c. 2.4" / 6.2 cm. Base diameter: c. 3" / 7.7 cm. Unpackaged weight: c. 0.8 kg / 825 gm.
NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY
Founded in 1878 by Jean Daum, the studio rose to prominence during the Art Nouveau and Art Deco period (1890 - 1910, 1908 - 1935), capturing the attention and imagination of collectors all over the world. Daum would exhibit at Paris International Exhibition in 1889, a pivotal event which marked the birth of the French Art Nouveau movement. With leading artists such as Henri Berge, Almaric Walter, Charles Schneider and Jacques Gruber, the studio would go on to win their first ‘Grand Prix’ in 1900.
The studio continued its ascent to international fame around this time, which further elevated when they began to create their art with pâte-de-verre, a glass-making technique first used over five thousand years ago in the early world. Fueled by international success, the studio would broaden their range to glass art objects and enter into a period of phenomenal development. The studio revolutionised techniques by experimenting with materials such as acids, colour powders, fluorine hydrogen and enamel. Collaboration with leading designers was also a common aspect of Daum's exploration and creativity, working with names such as Louis Majorelle, Eugene Galles, Emile Wirts and Salvador Dali.
Today, Daum is well known for creating pieces in high quality, crystal glass.
You may also like
Currently held on consignment at Andrews Oakville
This sleek and Modern work of French mid-century 1960s design is by Verceram Céramique. (c. 1940s - 1971) The form of this piece is that of an abstracted baluster with sweeping and subtly dramatic curves. The form is an excellent canvas for Verceram's iconic palette of iridised pearl and blue-black glaze that forms the rim and body of the dish.
Edgy and avant-garde for its time, the uncommon design makes it boldly timeless and suitable for display as a standalone piece or for functional use. The combination of the design, size, and condition makes it a particularly rare find.
CONDITION
Excellent. No chips, cracks, or repairs. The most notable wear is the surface marks to the iridised glaze that is present all over and is commensurable with the age of the piece. Please refer to photographs as they form part of the condition report. The underside of the base bears Verceram's V-in-a-circle stamp and model number '6203', and the original Verceram label is present on the body of the vase.
MEASUREMENTS
Height: c. 8.9" / 22.7 cm (from base to rim) x c. 4" / 10.2 cm in width (across widest point). Base: c. 2.6" / 6.5 cm. Unpackaged weight: 0.5 kg / 520 g
A LITTLE BIT OF HISTORY
Verceram Céramique. (c. 1940s - 1971)
Precious little is known about Verceram Céramique. Verceram collectors and enthusiasts have determined that the art pottery was probably based in Montreuil, an Eastern suburb of Paris and owned by a Monsieur Caux. The workshop and factory were active from around the 1940s until 1971 during the decades of 'Les Trente Glorieuses' (the thirty glorious').
What is very well known are the other-worldly and style-defining art pottery pieces by Verceram during the 1960s. With striking contrast and avant-garde abstract shapes in iridescent metallic glazes of pearlised white and an iridescent blue-black, these glazes were notoriously difficult to master. The glazes scratch easily which makes it a challenge to find mint-condition glazed pieces today.
At its start, Verceram produced late Art Deco-inspired works in green and red enameling before moving to bolder colours and textured finishes drawing inspiration from patterns found in nature. These earlier experimental styles would be the precursor to Verceram's iconic iridescent and sleek form designs.
This majestically sculptural lamp is of French design by Georgia Jacob's company (1988 - 2012). This particular piece comes from the Corolle series, one of many series where Jacob explored shape and form exclusively through the arrangement of drape.
The overall composition is characterised by exceptionally tactile and organic qualities, with a core arrangement of 16 folds that are encircled by an outer band of 19 ruffles made of the Saffron Mango toned resin. This piece is finished with an elegant resin marble base, further accentuating the subtle luxury of the design.
Standing at half a metre tall, this stunning statement piece brings sophisticated Minimalism to its surroundings.
CONDITION
Excellent. No chips, cracks, or repairs. There is faint wear to the surface that is commensurate with the age of the piece, please see photographs as they form part of the condition report. The underside of the base is labeled with the original label. Lamp takes a 40w candle screw bulb with the length of the cord being c. 6 ft / 183 cm.
MEASUREMENTS
Height: c. 21" / 53 cm high. Width c. 9.8" / 25 cm (across the widest point). Base measurements: c. 5.1" / 13 cm diameter. Weight: c. 1.4 kg / 1,395 g. Lamp takes a 40w candle screw bulb with the length of the cord being c. 6 ft / 183 cm.
A BIT OF HISTORY
Georgia Jacob International (1988 - 2012)
Georgia Jacob International was founded in 1988 in Wasselonne, a small commune in the north of France, c. 26 km from Strasbourg. Jacob only produced handkerchief and flaming torch design lamps made of resin (polyester), fibreglass or acrylic with several different bases made in marble, brass, metal, wood, or resin. Lamp series included the Corolle, Kali, Athena, Ella, Ophélie, Fruit d’Ange (angel fruit).
Sadly not much more is known about the company and records trace the company as discontinuing in 2012 due to insufficient assets.
NOTES
Lamp will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
Currently held on consignment at Andrews Oakville
This sleek and Modern work of French mid-century 1960s design is by Verceram Céramique. (c. 1940s - 1971) The form of this piece is that of an oval accentuated at each end to create fold-down collars, with brass-sphere buttons to match the graceful handle accent. The form is an excellent canvas for Verceram's iconic palette of iridised pearl and blue-black glaze that forms the rim and body of the dish.
Edgy and avant-garde for its time, the uncommon design makes it boldly timeless and suitable for display as a standalone piece or for functional use. The combination of the design, size, and condition makes it a particularly rare find.
CONDITION
Excellent. No chips, cracks, or repairs. The most notable wear are the surface marks to the iridised glaze that is present all over and is commensurable with the age of the piece. Please refer to photographs as they form part of the condition report. The underside of the base bears Verceram's V-in-a-circle stamp and the original Verceram label is present on the interior of the dish.
MEASUREMENTS
Height: c. 8.5" / 21.5 cm (from base to handle) x c. 6.4" / 16.3 cm in width (across widest point). Length: c. 12.2" / 31 cm. Base: c. 3.7" / 9.5 cm. Unpackaged weight: 0.7 kg / 685 g
A LITTLE BIT OF HISTORY
Verceram Céramique. (c. 1940s - 1971)
Precious little is known about Verceram Céramique. Verceram collectors and enthusiasts have determined that the art pottery was probably based in Montreuil, an Eastern suburb of Paris and owned by a Monsieur Caux. The workshop and factory were active from around the 1940s until 1971 during the decades of 'Les Trente Glorieuses' (the thirty glorious').
What is very well known are the other-worldly and style-defining art pottery pieces by Verceram during the 1960s. With striking contrast and avant-garde abstract shapes in iridescent metallic glazes of pearlised white and an iridescent blue-black, these glazes were notoriously difficult to master. The glazes scratch easily which makes it a challenge to find mint-condition glazed pieces today.
At its start, Verceram produced late Art Deco-inspired works in green and red enameling before moving to bolder colours and textured finishes drawing inspiration from patterns found in nature. These earlier experimental styles would be the precursor to Verceram's iconic iridescent and sleek form designs.
Currently held on consignment at Andrews Oakville
This striking and majestic work of French mid-century Modernist design is by Verceram Céramique. (c. 1940s - 1971) The base form of this piece is that of an oval that has been accentuated at each end culminating in a pleat with 'fins' either side. The overall piece is similar to that of an geometric yet gently curved paper model shaped from ceramic. The shape is an excellent canvas for Verceram's iconic palette of iridised pearl and blue-black glaze that is showcased beautifully against the curves and arches.
Edgy and avant-garde for its time, the uncommon design makes it boldly timeless and suitable for display as a standalone piece or for functional use.
CONDITION
Excellent. No chips, cracks, or repairs. The most notable wear are the surface marks to the iridised glaze that is present all over and is commensurable with the age of the piece. Please refer to photographs as they form part of the condition report. The underside of the base bears Verceram's V-in-a-circle stamp and the original Verceram label is present on the interior of the dish.
MEASUREMENTS
Height: c. 5.9" / 15 cm (from base to rim) x c. 11.4" / 29 cm in width (across widest point). Length: c. 23.3" / 59 cm. Base: c. 6.7" / 17 cm x c. 4.3" / 11 cm. Unpackaged weight: 2.5 kg / 2,525 g
A LITTLE BIT OF HISTORY
Verceram Céramique. (c. 1940s - 1971)
Precious little is known about Verceram Céramique. Verceram collectors and enthusiasts have determined that the art pottery was probably based in Montreuil, an Eastern suburb of Paris and owned by a Monsieur Caux. The workshop and factory were active from around the 1940s until 1971 during the decades of 'Les Trente Glorieuses' (the thirty glorious').
What is very well known are the other-worldly and style-defining art pottery pieces by Verceram during the 1960s. With striking contrast and avant-garde abstract shapes in iridescent metallic glazes of pearlised white and an iridescent blue-black, these glazes were notoriously difficult to master. The glazes scratch easily which makes it a challenge to find mint-condition glazed pieces today.
At its start, Verceram produced late Art Deco-inspired works in green and red enameling before moving to bolder colours and textured finishes drawing inspiration from patterns found in nature. These earlier experimental styles would be the precursor to Verceram's iconic iridescent and sleek form designs.
Currently held on consignment at Andrews Oakville
Presenting an eye-catching and highly tactile work of French mid-century Modernist design by Verceram Céramique. (c. 1940s - 1971)
The form of this piece is three evenly balanced and overlapping Ivory toned circles which creates the canvas for the highly tactile detail. Each segment contains the repeating stylised scallop detail that mimics the natural pattern and intricate detail of a clamshell. A carefully applied tone of warm and transparent Caramel brown is overlaid onto the detail to create a deeper 3D effect.
The sleek, Modernist design of this piece makes it timeless and suitable for display as a standalone piece or for functional use. The combination of the design, size, and condition makes it a particularly rare find.
CONDITION
Excellent. No chips, cracks, or repairs. The most notable wear are movement marks on the underside of the base and mild crazing all over that is commensurable with the age of the piece. Please refer to photographs as they form part of the condition report. The underside of the base bears Verceram's V-in-a-circle stamp.
MEASUREMENTS
Height: c. 1.9" / 4.8 cm (from base to rim) x c. 12.6" / 32 cm in width (across widest point). Unpackaged weight: 1.1 kg / 1,140 g
A LITTLE BIT OF HISTORY
Verceram Céramique. (c. 1940s - 1971)
Precious little is known about Verceram Céramique. Verceram collectors and enthusiasts have determined that the art pottery was probably based in Montreuil, an Eastern suburb of Paris and owned by a Monsieur Caux. The workshop and factory were active from around the 1940s until 1971 during the decades of 'Les Trente Glorieuses' (the thirty glorious').
What is very well known are the other-worldly and style-defining art pottery pieces by Verceram during the 1960s. With striking contrast and avant-garde abstract shapes in iridescent metallic glazes of pearlised white and an iridescent blue-black, these glazes were notoriously difficult to master. The glazes scratch easily which makes it a challenge to find mint-condition glazed pieces today.
At its start, Verceram produced late Art Deco-inspired works in green and red enameling before moving to bolder colours and textured finishes drawing inspiration from patterns found in nature. These earlier experimental styles would be the precursor to Verceram's iconic iridescent and sleek form designs.
This beautifully undulating work of Mid Century design is from Vallauris, France. Artistic ceramics began to emerge from Vallauris from the end of the 19th century and was elevated further by the arrival of Picasso from 1948.
The form of this particular piece is stylised, with the closest glass counterpart being the Splash bowl, examples of which have been made iconic by Murano. However, unlike a glass Splash bowl which mimics thinner liquids, this work more closely mimics melted chocolate. There are four crests to the 'splash', rising from the broadly rectangular form. The base glaze is a rich, smooth and glossy Milk Chocolate brown. Overlaid onto the base glaze is a interspersing and running glaze in tones of Cherry Red, Vanilla cream and varying tones of brown in Honeycomb, Fudge and Caramel.
The majestic size with the subtly striking palette makes this piece suitable for standalone display or for functional use as a table centrepiece.
CONDITION
Excellent. There are no chips, cracks or repairs. There is mild surface wear and movement marks on the underside of the base that is commensurable with the age of the piece. Please see photographs as they form part of the condition report. The underside of the vase bears the 'Vallauris' inscription.
MEASUREMENTS
Height: c. 4.4" / 11.2 cm. Rim measurements: c. 12.2" / 31 cm x c. 8.3" / 21 cm (across longest/widest points). Depth: c. 2" / 5 cm. Base measurements: c. 7.2" / 18.3 cm x c. 2.8" / 7 cm. Unpackaged weight: c. 1.4 kg / 1,420 g
NOTES
Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY
Vallauris Pottery Ceramics have always been part of the Vallauris region, however, artistic ceramics began to emerge from Vallauris from the end of the 19th century notably thanks to the Massier family. Other famous names include Delphin and Jérôme introduced coloured enamels and metallic pigments into their ceramics. The region's reputation was elevated further by the arrival of Picasso from 1948.