THE ITEM
This exquisitely intricate piece is a work of Chinese Canton Enamel design.
The base enamel is a soft white upon which is the handpainted a delicate pattern of sophisticated detail. The pattern is composed of a rare combination of Peach Blossom, Peaches, Peonies and Chinese Chrysanthemums. There are accents of a stylised Ruyie cloud and Chinese Forget-me-not flower pattern all over and the interior is finished with the typical Chinese teal blue enamel.
This fantastic work of art would make an excellent decorative art feature.
CONDITION
Very Good. No repairs. There is natural age wear to the enamel, predominantly to the lip of the handle and the rim edging. Wear is commensurable with the age of the piece, please see photos as part of the condition report. The underside of the base is marked with '乾隆年制' which translates as 'Produced in Qianlong's Year' [Reign] which were revived from 1912 until the early-1920s.
MEASUREMENTS
Height: c. 2" / 5 cm (including handle) by c. 4.9" / 12.5 cm width (across widest point). Base diameter: c 2.4" / 6.2 cm. Unpackaged weight: c. 0.2 kg / 150 g
NOTES
Teapot will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY
Painted enamel was introduced into China during the 18th century, with the introduction attributed to French missionaries, this is reflected in the translation of the Chinese term “foreign porcelain.” A metal object, usually copper but sometimes silver or gold, is covered with a background layer of enamel (often white), is fired, and then is painted with coloured enamels before the final firing.
Refined enamels made in the emperor’s workshops and in private shops in Peking also became popular export items, and most of the Canton enamels used the Famille Rose colours. Enamel works were popularly produced until the end of the 19th century.
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Currently held on consignment at Andrews Oakville
This majestically sculpted and handblown work of Japanese art glass is by the glassworks Sanyu, from the 'Narumi Fantasy' series that is characterised by its candy and jewel-like colour palette.
The form is superbly organic with 6 controlled trails of droplets creating a form that is like that of an abstract fountain. A very tactile piece, the curves and arches provide a beautiful prismatic ability. The colour palette of this series only contains the 3 colours of Tourmaline pink, Topaz blue and Citrine yellow and as these tones sweep up the sides of the vase, they are magnified and overlapped in the clear exterior casing creating many additional tones such as peach, green and purple.
There is a further layer of hidden magic within this piece that becomes apparent when it is placed in the pathway of sunlight and surrounding surfaces light up from the refractions.
The enchanting quality of the captured colours and the uniqueness of being handblown makes this statement piece suitable for display or functionally, as a simply accented Ikebana vase.
CONDITION
Superb. No chips or cracks or damage, There is mild wear, predominantly movement marks on the underside of the base that is commensurate with age. Please refer to photos as they form part of the condition report.
MEASUREMENTS
Height: c. 10.3" / c. 26.3 cm tall x c. 5.9" / c. 15 cm diameter (across widest point) Rim opening measurements: c. 3.7" / c. 9.5 cm (across widest point). Base measurements: c. 4.4" / c. 11.3 cm. Unpackaged weight c. 2.3 kg / 2,275 g
A BIT OF HISTORY
Sanyu Glass Co. is based in Osaka, Japan and has been producing art glass since the 1950s. Similar to other better-known Japanese glassworks of Iwatsu and Hineri, the quality and style are often mistaken for Murano and Czech glass from the same era.
Though knowledge of Japanese glassworks is scarce in Western countries, what is known is that the quality of Japanese art glass from the 1950s to the 1970s rivalled that of Murano, Scandinavian, and Czech glass production. Recognition has been relatively low and most pieces imported into the Western market are often simply marked with the word 'Foreign' or not at all. It is rare to discover pieces with the original glassworks or importing company's label.
Currently held on consignment at Andrews Oakville
This majestically sculpted and handblown work of Japanese art glass is by the glassworks Sanyu, from the 'Narumi Fantasy' series that is characterised by its candy and jewel-like colour palette.
The highly abstract form is superbly organic with multiple streams of interweaving droplets wrapping the exterior, making the piece very tactile and providing a beautifully prismatic ability. The colour palette of this series only contains the 3 colours of Tourmaline pink, Topaz blue and Citrine yellow and as these tones sweep up the sides of the vase, they are magnified and overlapped in the clear exterior casing creating many additional tones such as peach, green and purple.
There is a further layer of hidden magic within this piece that becomes apparent when it is placed in the pathway of sunlight and surrounding surfaces light up from the refractions.
The enchanting quality of the captured colours and the uniqueness of being handblown makes this statement piece suitable for display or functionally, as a simply accented Ikebana vase.
CONDITION
Superb. No chips or cracks or damage, There is mild wear, predominantly movement marks on the underside of the base that is commensurate with age. Please refer to photos as they form part of the condition report.
MEASUREMENTS
Height: c. 11.2" / c. 28.5 cm tall x c. 4.3" / c. 11 cm diameter (across widest point) Rim opening measurements: c. 2.6" / c. 6.5 cm (across widest point). Base measurements: c. 4.3" / c. 11 cm. Unpackaged weight c. 3.2 kg / 3,235 g
A BIT OF HISTORY
Sanyu Glass Co. is based in Osaka, Japan and has been producing art glass since the 1950s. Similar to other better-known Japanese glassworks of Iwatsu and Hineri, the quality and style are often mistaken for Murano and Czech glass from the same era.
Though knowledge of Japanese glassworks is scarce in the Western countries, what is known is that the quality of Japanese art glass during the 1950s to the 1970s rivalled that of Murano, Scandinavian, and Czech glass production. Recognition has been relatively low and most pieces imported into the Western market are often simply marked with the word 'Foreign' or not at all. It is rare to discover pieces with the original glassworks or importing company's label.
Currently held on consignment at Andrews Oakville
This beautifully sculpted and handblown work of Japanese art glass is by the glassworks Sanyu, from the 'Narumi Fantasy' series that is characterised by its candy and jewel-like colour palette.
The form is superbly organic with the 10 lobes of the vase gathered into 5 pairs to create the pleat effect, making the piece very tactile and providing an exceptionally prismatic ability. The colour palette only contains the 3 colours of Tourmaline pink, Topaz blue and Citrine yellow but as these sweep up the sides of the vase, they are magnified and overlapped in the clear exterior casing creating additional tones of green, purple and orange depending on which face of the vase is turned to.
There is a further layer of hidden magic within this piece that becomes apparent when it is placed in the pathway of sunlight and surrounding surfaces light up from the refractions.
The enchanting quality of the captured colours and the uniqueness of being handblown makes this statement piece suitable for display or functionally, as a simply accented Ikebana vase.
CONDITION
Superb. No chips or cracks or damage, There is mild wear, predominantly movement marks on the underside of the base that is commensurate with age. Please refer to photos as they form part of the condition report.
MEASUREMENTS
Height: c. 9.5" / c. 24 cm tall x c. 5.3" / c. 13.5 cm diameter (across widest point) Rim opening measurements: c. 3.3" / c. 8.5 cm (across widest point). Base measurements: c. 2.8" / c. 7 cm. Unpackaged weight c. 2.2 kg / 2,165 g
A BIT OF HISTORY
Sanyu Glass Co. is based in Osaka, Japan and has been producing art glass since the 1950s. Similar to other better-known Japanese glassworks of Iwatsu and Hineri, the quality and style are often mistaken for Murano and Czech glass from the same era.
Though knowledge of Japanese glassworks is scarce in Western countries, what is known is that the quality of Japanese art glass from the 1950s to the 1970s rivalled that of Murano, Scandinavian, and Czech glass production. Recognition has been relatively low and most pieces imported into the Western market are often simply marked with the word 'Foreign' or not at all. It is rare to discover pieces with the original glassworks or importing company's label.
This exquisitely intricate Cloisonné enamel piece is dated to c.1900 from the Japanese Meiji era (1868-1912 ) Takahara Komajiro 高原駒次郎 of Kyoto.
Takahara is referenced as the most well-known and consistent maker of Kyoto-Jippo (tr. 'Cloisonné') wares, founding a workshop in 1894. The Cloisonné technique is revered for using thin wire or metal to contain different coloured enamels. The technique in this piece is elevated to astounding heights when you consider the detailed wired sections of this piece is as small as 1mm in width.
This particular piece bears Takahara's design characteristics despite being unsigned; notably within the floral patterns and 'takara-mono' (tr. 'treasured items') featured in the roundels, the wire gilding and the overlapping green scales edged in the band of dotted red circlets brocading the foot of the vase. From delicate sprigs of Sakura Cherry Blossom to Lotuses, Chrysanthemums, Anemones and Moutan Peonies; the Cloisonné with elements of glittering jewelled enamel worked into the colouring is a joyful celebration of flora in bloom.
The 8-lobed form of this piece, its size and the condition of the enamel décor makes this piece a particularly rare find. Not only did Takahara's Cloisonné skill contend with creating the enamel art in minute detail, but it was also applied to the curving form for each of the eight lobes. This fantastic work of art would make a superbly decorative and highly collectable art feature.
CONDITION
Excellent. No chips, cracks or repairs. There is natural age wear to the enamel and the rim of the vase that is commensurable with the age of the piece, please see photos as part of the condition report.
MEASUREMENTS
Height: c. 6.1" / 15.5 cm by c. 3" / 7.5 cm width (across widest point). Base diameter: c. 1.7" / 4.2 cm. Rim diameter: c. 1.2" / 3.1 cm. Unpackaged weight: c. 0.2 kg / 175 g
NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.
A BIT OF HISTORY
Japanese Cloisonne enamelware is a technique introduced to Japan around the Tokugawa period during the 16th century.
Cloisonne or 'Cloisonné' are metalwork objects with decoration that is applied by creating separating sections using wire or thin metal. The sections are filled with different coloured enamels to create a visual image or pattern and the whole piece be fired multiple times to realise the colours.
Currently held on consignment at Andrews Oakville
This beautifully sculpted and handblown work of Japanese art glass is attributed to the glassworks Sanyu, from the 'Narumi Fantasy' series characterised by its candy and jewel-like colour palette.
The form is superbly organic with five lobes wrapping around the abstract bottle form, making this piece very tactile and giving it a prismatic ability. The colour palette is composed of the 3 colours of Tourmaline pink, Topaz blue and Citrine yellow. The colours have been blown in angled overlapping stripes within the magnifying clear exterior casing which opens up additional tones of green, purple and orange depending on which face of the vase is turned to.
There is a further layer of hidden magic within this piece that becomes apparent when it is placed in the pathway of sunlight and surrounding surfaces light up from the refractions.
The majestic size of this piece, enchanting quality of the captured colours and the uniqueness of being handblown makes this statement piece suitable for display or functionally, as a simply accented Ikebana vase.
CONDITION
Superb. No chips or cracks or damage, There is mild wear, predominantly movement marks on the underside of the base that is commensurate with age. Please refer to photos as they form part of the condition report.
MEASUREMENTS
Height: c. 12" / c. 30.5 cm tall x c. 3.5" / c. 9 cm diameter (across widest point) Rim measurements: c. 1.1" / c. 2.8 cm (across widest point). Base measurements: c. 3.1" / c. 7.8 cm. Unpackaged weight c. 2.4 kg / 2,365 g
A BIT OF HISTORY
Sanyu Glass Co. is based in Osaka, Japan and has been producing art glass since the 1950s. Similar to other better-known Japanese glassworks of Iwatsu and Hineri, the quality and style is often mistaken for Murano and Czech glass from the same era.
Though knowledge of the Japanese glassworks is scarce in Western countries, what is known is that the quality of Japanese art glass from the 1950s to the 1970s rivalled that of Murano, Scandinavian, and Czech glass production. Recognition has been relatively low and most pieces imported into the Western market are often simply marked with the word 'Foreign' or not at all. It is rare to discover pieces with the original glassworks or importing company's label.
Currently held on consignment at Andrews Oakville
This pair of exquisitely intricate, Japanese Cloisonné enamel pieces are dated to c.1900 from the Meiji era (1868-1912) by Takahara Komajiro 高原駒次郎 of Kyoto.
Takahara is referenced as the most well-known and consistent maker of Kyoto-Jippo (tr. 'Cloisonné') wares, founding a workshop in 1894. The Cloisonné technique is revered for using thin wire or metal to contain different coloured enamels. The technique has been elevated to astounding heights in these pieces when you consider the detailed wired sections are as thin as 1mm in width.
Also present are Takahara's signature design characteristics despite being unsigned; most notably the floral patterns and the 'Takara-mono' (tr. 'treasured items') featured in the roundels. Further indications of Takahara's style can be seen in the band of dotted red circlets brocading the foot and rim of the vases. From delicate sprigs of Sakura Cherry Blossom to Chrysanthemums, Anemones and Wisteria, the Cloisonné flourishes with elements of jewel-coloured enamel in a joyful celebration of flora in bloom.
The exceptional skill in delicately applying the cloisonne in such a diminutive size is a true wonder and the condition of the enamel décor make these pieces a rare find. Not only did Takahara's Cloisonné skill contend with creating the enamel art in minute detail, but it was also applied to the curving and faceted forms. These fantastic works of art would make a superbly decorative and highly collectable art feature.
CONDITION
Good. There is surface bruising with traces of enamel loss, minor impressions to the rim and base, as well as some natural enamel pitting that is commensurable with age, please see the photos as part of the condition report.
MEASUREMENTS
Height: c. 4.7" / 12 cm by c. 2.2" / 5.6 cm diameter (across widest point). Base diameter: c. 1.4" / 3.5 cm. Rim diameter: c. 1.0" / 2.5 cm. Unpackaged weight [pair]: c. 0.2 kg / 165 g
A BIT OF HISTORY
Japanese Cloisonne enamelware is a technique introduced to Japan around the Tokugawa period during the 16th century.
Cloisonne or 'Cloisonné' are metalwork objects with decoration that is applied by creating separating sections using wire or thin metal. The sections are filled with different coloured enamels to create a visual image or pattern and the whole piece is fired multiple times to realise the colours.