Art Glass, Studio Glass, Handblown Glass

This exquisitely simple yet detailed work of Modernist art glass is by renowned glass artist and designer Sven Palmqvist (b. 1906 - d. 1984), one of the great innovators of Swedish glass.

This sculpted piece features Palmvist's famous Kraka technique developed in 1944; which creates the illusion of a net and the controlled cascade of bubbles within the intersections of the netted glass. These beautifully patterned pieces were created by hand and the technique uses copper wire to trap air bubbles when the outer encasing of glass is applied. This piece is particularly rare as the Kraka technique is replicated in a much smaller form. 

The Kraka series was produced from 1944 until 1986 and the colour palette of this particular piece is the well-known, with it's popular spectrum of oceanic blues cradled in an edging of yellow. The name “Kraka” was inspired by the old Nordic Legend of Kraka from when she appeared before Ragnar Lothbrok to answer his riddle of how you could be “neither dressed, not undressed”, Kraka solved the riddle by appearing wrapped in a fishnet.

CONDITION
Excellent. No chips, cracks or repairs. There is mild wear o the underside of the base that is commensurate with the age of the piece, please refer to photos as they form part of the condition report. The base is inscribed with 'ORREFORS, Kraka, N. 349' and Palmqvist's 'Sven Palmqvist' signature. The number 349 dates this piece to production in 1955.

MEASUREMENTS
Height: c. 4.7" / 12 cm tall (from base to rim) x c. 3.3" / 8.3 cm width (across widest point. Rim diameter: c. 0.8" / 2 cm x c. 0.4" / 1 cm. Base diameter: c. 1.2" / 3 cm x c. 1.4" / 3.6 cm. Unpackaged weight: c. 0.9 kg / 850 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Sven Palmqvist (b. 1906 - d. 1984) is best known for his collaboration with the famous glassworks Orrefors where he developed a number of new art glass techniques. He developed the Kraka technique in 1944 before the Ravenna technique was brought forth in 1948. Another notable success was Fuga, which involved centrifuging the glass in a scaled and rapidly rotating form, instead of blowing the glass.

Palmqvist’s distinguished career with Orrefors spanned over four decades, the creative and versatile designer also created a number of commissioned pieces for public spaces including glass sculptures that can be seen in churches in Sweden, the entrance to the SVT television studio in Stockholm, the National Museum of Sweden, the Kalmar Art Museum as well as in the decoration of a ministerial palace in Dubai.

Orrefors Glassworks (1898 - 1989)
Orrefors was a glassworks in the Swedish village Orrefors in Småland. Founded in 1898 on the site of an older ironworks, Orrefors originally produced mainly window glass and bottles and it would be 1913 before their range began to expand to drinking glasses and vases. Orrefors first attempts at art glass making were in the style of the famous French glassworks such as Daum and Gallé.

During its long history, Orrefors was host to a vast number of glass artists and designers including the likes Edward Hald, Vicke Lindstrand, Edvin Öhrström, Anne Nilsson and Sven Palmqvist. The original Orrefors glassworks became part of the Kosta Boda group in 1976.

This sleek, handblown work of iconic Scandinavian Modern design is by Vicke Lindstrand (b. 1904 - d. 1983) for Kosta (Boda) of Sweden. Lindstrand is considered as one of the most influential 20th-century glass artists and a pioneer of glass art. Lindstrand's prolific career included many design highlights, including his ability to excel at a technique called Cased Glass (known to many glass collectors as 'Sommerso'), in which a vividly coloured or patterned section of glass is surrounded by and seems to float within a clear crystal body.

This particular piece is a rare work from the Zebra series, with the encased ribbons of white glass delicately cradling the vibrant red core very much embodying Lindstrand's expertise in the Sommerso technique. The careful separation of layers between the white ribbons and the Cherry Red colour is evident towards the base of the dish and gives a 'deconstructed striped candy' effect. This effect is captured and suspended in the thick-walled, curved, and clear crystal glass form that is characteristic of Scandinavian art glass.

The mesmerising nature of this crystal art glass piece is further amplified by the stunning striped refractions that are brought forth when the piece is placed in the path of sunlight or a direct light source.

CONDITION
Excellent. No chips, cracks, or repair. There are negligible surface wear and movement marks on the underside of the base that is commensurable with the age of the piece - please see photos as they form part of the condition report. The underside of the base is signed with Lindstrand's Kosta initials of 'LH ['Lindstrand Hyttarbete'] 1058' as well as the acid stamp denoting 'LIND-STRAND KOSTA''

MEASUREMENTS
Height: c. 3.3" / 8.5 cm tall (from base to rim) x c. 4.7" / 12 cm in length x c. 3.2" / 8.1 cm width (across widest point). Base diameter: c. 1.3" / 3.2 cm. Unpackaged weight: c. 0.6 kg / 645 g

NOTES
Dish will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Vicke Lindstrand (b. 1904 - d. 1983) is considered as one of the most influential 20th-century glass artists and a pioneer of glass art. Lindstrand along with his peer Edvin Öhström, pioneered a new glass-colouring process called the Ariel technique.

Lindstrand's prolific career began in commercial illustration before finding employment at the glass manufactory Orrefors. He would join Kosta Boda 1950, remaining there until 1973. Beyond his commercial work, he also produced several massive public sculptures around the world. Today, his works are in many museum collections, such as the Victoria and Albert Museum in London, the Museum of Fine Arts in Houston, and The Museum of Modern Art in New York.

Kosta Boda, Sweden’s oldest glass company, was founded as 'Kosta' in 1742 and began making art glass — that is, unique and limited edition pieces — with the hiring of the painter Gunnar Wennerberg in 1898. Kosta has a strong history for many well-known glass artists such as Ewald Dahlskog, Vicke Lindstrand, Erik Höglund, Bertil Vallien and more. 

Kosta Boda was formed in 1976 when the merger of Kosta, Boda and Åfors glass communities took place. Kosta Boda enjoys a reputation as Sweden's most artistic and experimental glassworks, featuring artists and sculptors.

This delicious duo of handblown art glass is by Bertil Vallien (b. 1938 - ), internationally celebrated Swedish glass artist, sculptor, ceramist and designer. The taller vase is from the collectable 'Wind Pipes' series designed in 1976 and the smaller vase is from another collectable series 'Antikva' designed in 1977, part of The Artist Collection. The Artist Collection concept was introduced by Vallien to give glass artists the freedom for personal, creative expression and to remove the 'mass produced' feeling. Pieces are limited edition studio works, individual to the artist that created them.

The tall, slender pipe vase (model 48173) is one of five designs, this particular piece bears a base that is crafted from a rich Golden Marigold frit glass and finished with a tactile dappling of frit glass specs where the Marigold merges with the Sea-Green neck.  The frit glass technique merges fragments of coloured glass in clear glass to create the closely freckled effect, similar to the drifting within a snow-globe.

The Sea-Green striated frit glass neck is blown into the Marigold base, with the twirling of the glass creating a filigrana-like effect. The piece is finished with a bead of blue frit glass. 

The swelling gourd bottle vase (model 48008) is also crafted from frit glass, a combination of Grape/Amethyst purple with freckles of Sapphire blue. Blown into the swelling base is the graduated neck of striated blue frit glass, adding elegance and dimension to the simple form.

CONDITION
Excellent, no chips, cracks or repairs. There is mild wear in the form of movement marks on the underside of the bases that is commensurate with the age of the pieces - please refer to photos as part of the condition report. The underside of Antikva purple gourd vase is engraved with 'BODA, ARTIST COL, B VALLIEN, 48008' and the Wind Pipes vase is unsigned

MEASUREMENTS
- Taller / Windpipes vase. Height: c. 6.9" / 17.5 cm x c. 2.1" / 5.3 cm base diameter.
- Smaller / Antikva vase. Height: c. 2.5" / 6.3 cm x c. 2.2" / 5.6 cm diameter (across widest point).
- Unpackaged weight (both pieces): c. 0.2 kg / 215g

NOTES
Vases will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Born 1938, Bertil Vallien was only 15 when he left home, drawn by the allure of the big city. After a series of occasional jobs, as a window-dresser at one of the main department stores in Stockholm, and as an apprentice in his father's decorating firm, Vallien would eventually decide to become an artist which would lead him into the world of ceramics. The guidance he received in his early career included that of Stig Lindberg - one of Sweden's foremost designers of ceramic art and one of the leading designers for Rörstrand in the 1970's.

Today, Vallien is one of the most well-known representatives of 20th century Swedish ceramic and art glass design and is represented at the Swedish National Museum of Art and Design as well as abroad in the Everson Museum of Art of New York.

Valiien's works have only become more collectable over the years with sculptures from his Head and Journey (Boat) series fetching up to $20,000 USD.

This delicious duo of handblown art glass is by Bertil Vallien (b. 1938 - ), internationally celebrated Swedish glass artist, sculptor, ceramist and designer. The pair are from the collectable 'Antikva' series designed in 1977 and from the 'Artist Collection' for (Kosta) Boda, one of the worlds leading glassworks. The Artist Collection concept was introduced by Vallien to give glass artists the freedom for personal, creative expression and to remove the 'mass produced' feeling. Pieces are limited edition studio works, individual to the artist that created them.

The taller Sea-Green hexagonal bottle vase that is finished with the striated Marigold yellow neck (model 47834) is crafted from a combination of Sea-Green and Lime-Green frit glass. The frit glass technique merges fragments of coloured glass in clear glass to create the closely freckled effect, similar to the drifting within a snow-globe.

The smaller and also hexagonal bottle vase (model 48010) bears the same combination of sea-green and lime-green frit glass, also in the snow-drifting technique similar but is finished with a striated Pale-Blue frit glass neck.

Beautifully Modernist, these pieces are both sculpturally geometric yet organic and unique from their handblown crafting process.

CONDITION
Excellent, no chips, cracks or repairs. There is mild wear in the form of movement marks on the underside of the bases that is commensurate with the age of the pieces - please refer to photos as part of the condition report. The underside of the base on both pieces is engraved with 'BODA, ARTIST COL, B VALLIEN'. The taller bottle is also engraved with the number '47834' and labelled with the 'Boda, Artist Collection, Sweden' label.

MEASUREMENTS
- Taller / Marigold Neck Bottle. height: c. 5.9" / 15 cm x c. 2.2" / 5.5 cm base diameter.
- Smaller / Pale-blue Neck bottle: height: c. 3.9" / 10 cm x c. 1.6" / 4 cm base diameter.
- Unpackaged weight (both pieces): c. 0.3 kg / 335g

NOTES
Vases will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Born 1938, Bertil Vallien was only 15 when he left home, drawn by the allure of the big city. After a series of occasional jobs, as a window-dresser at one of the main department stores in Stockholm, and as an apprentice in his father's decorating firm, Vallien would eventually decide to become an artist which would lead him into the world of ceramics. The guidance he received in his early career included that of Stig Lindberg - one of Sweden's foremost designers of ceramic art and one of the leading designers for Rörstrand in the 1970's.

Today, Vallien is one of the most well-known representatives of 20th century Swedish ceramic and art glass design and is represented at the Swedish National Museum of Art and Design as well as abroad in the Everson Museum of Art of New York.

Valiien's works have only become more collectable over the years with sculptures from his Head and Journey (Boat) series fetching up to $20,000 USD.

This stunning, sandcasted-by-hand sculpture of Swedish Modern design art glass is by Bertil Vallien (b. 1938 -), considered as one of the most influential 20th-century glass artists and a pioneer of glass art. This particular piece is a rare work (1/1000 pieces) created at Kosta Boda.

The sandcasting of this piece involves hollowing out the shape of the vessel in a compressed bed of sand and any colouring for the external pattern is delicately laid out into the hollow. Molten glass around 14 – 1600 °C is then carefully poured into the hollow in layers. Any additional décor of coloured swirls, glass threads or pieces of sheet metal that can be seen suspended inside the piece is carefully placed into or created within the molten glass.

The exterior décor is a cradling of variegated Pthalo and Prussian blues, interweaving with Sap and Lime greens, creating the effect of the Crimson red swimmer figure gently spearing through warm, Equatorial waves. Suspended beneath the figure is the pointed whirl of Powdered violet intertwined with Lime green frit curling over itself. The minor scattering of air bubbles further elevates the oceanic effect. 

This striking work of art glass makes for an excellent decorative as well as collectable art feature.

CONDITION
Excellent. No chips, cracks or repairs. The sculpture bears Vallien's signature 'B Vallien' and 'KOSTA BODA' on the surface and is inscribed with the model number: 'BBVAAT 949010/9000' on the underside. The side also bears the Kosta Boda label 'KOSTA BODA SINCE 1742'. Please note that the wooden stand is not included with the sculpture. 

MEASUREMENTS
Sculpture Height: c. 1.7" / 4.2 cm tall (from base to rim) x c. 6.7" / 17 cm in length x c. 2.1" / 5.4 cm in width (across widest point). Depth: c. " / cm. Unpackaged weight: c. 0.5 kg / 505 g

NOTES
Sculpture will be securely packaged and shipping will be insured. Shipping will be combined for multiple items. Please note that the wooden stand is not included with the sculpture. 

A BIT OF HISTORY
Bertil Vallien is one of the most well-known representatives of the illustrious Swedish art glass design and is represented in over 31 museums worldwide, including: The Swedish National Museum of Art, The Victoria and Albert Museum in London, Metropolitan Museum of Art in New York and the Corning Museum of Glass. His pieces have only become more collectable over the years with sculptures from his 'Head' and 'Journey' (Boat) series fetching over $20,000 USD. 

Vallien claimed his own independent studio at Kosta Boda in 1963 and shortly became the leading ceramic designers at Rorstrand from the 1970s. Around this time, Vallien also explored sandcasting, a method traditionally used for industrial purposes to develop his famous method of sandcasting.  

Vallien is internationally acclaimed for his sand-casted sculptural glass boats. These works of art carry infused symbols anchored in ancient myths and legends, representing livelihood, adventure, travel, birth, and death.

This delicious handblown work of Post Modern art glass is by leading Swedish glass artist Kjell Engman (b. 1946 -), accoladed with the name 'Glass Wizard' for his unlimited imagination with art glass.

This piece is from the popular series named Corfu, designed by Engman in 1990s. Engman sought inspiration in Greece and Greek artistic expression and brought his characteristically playful, sculpted and organic style into the design of this pitcher vase.

The core body of this piece is spheroid, beautifully curved and toned in a Candied Forest Green with elements of dappled and striped translucency. This work is further accented with the continuation of stripes at the transparent neck and finished with the striking Coquelicot handle.

The overall composition of this work is of great harmony, demonstrated in the stunning blending of colour with form and size, makes this a statement piece.

This exceptional piece is unique as it features Kintsugi golden seams following a careful repair and highlighting process and even rarer as Kintsugi is typically applied to repairing ceramics rather than glass. The Kintsugi technique used is modern and has been applied in a tactile manner, a striking compliment to the colour palette of this piece.

CONDITION
Excellent. This piece has been carefully repaired using a robust water-resistant and durable resin. There is natural and very mild surface wear that is commensurate with the age of the piece. Please see photos as they form part of the condition report. The base bears the original Kosta Boda label and on the underside of the base, there is the inscription of: KOSTA BODA K. ENGMAN 7080512'

MEASUREMENTS
Height: c. 14" / 36 cm tall (from base to rim) x c. 8.1" / 20.5 cm in width (across widest point). Depth: c. 3.7" / 9.5 cm. Rim: c. 2.3" / 5.8 cm. Base: c. 3.9" / 10 cm Unpackaged weight: c. 2.5 kg / 2,510g

NOTES
Pitcher vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Kjell Engman (b. 1946 -), accoladed with the name 'Glass Wizard' for his unlimited imagination with art glass and known for being one of ten highly talented artists. Since joining Kosta Boda in 1978, Engman has designed a number of iconic series, drawing inspiration from diverse sources such as the animal kingdom, the world of music and entertainment.

Engman's style is distinctive and immediately recognisable. Common characteristics to his work include being bold, bright and colourful, ranging from the playful to the delicate to the sensuous. It could almost be described as Dali-esque and does not conform to preconceptions of simple, minimalist Swedish design.

Engman has often been commissioned at home in Sweden and abroad, designing works for public display and even famous pieces such as the 2008 Eurovision Song Contest trophy. Engman's latest works and installations can be found at his dedicated website: http://www.kjellengman.com/

THE ITEM
This stunning, handblown work of Swedish Modern design art glass is by Vicke Lindstrand (b. 1904 - d. 1983), considered as one of the most influential 20th-century glass artists and a pioneer of glass art. This particular piece is a rare and early work, 'LC1' from the Colora series, which first appeared in the Kosta catalogue in 1955, featured 11 designs and was produced during 1955 to 1956.

The elegant, flowing and deceptively simple form is in fact the coalescing of multiple layers. The innermost layer is a graduating Cerulean blue that pales into a glow at the lower body and which is overlaid with exquisite threads of Espresso brown. The threads gracefully shape themselves to the contours of the vase's body, from hairline thickness at the neck and dilating as it wraps around the lower body. The piece is finished with a layer of clear casing glass.

The refined delineation of the threads from the core blue creates a visual effect of the threads gently hovering over the body, adding fascinating depth and dimension to the visual effect. This successful delineation is not always possible as is the nature of handblown pieces. 

In November 1953, Lindstrand presented Colora at the exhibition Artiums Exposé Gothenburg. Described by the press at the time: "Colora is thus the very latest. This glass has never before been exhibited to the public. The pieces are also unique in the sense that no two objects in this exhibition are the same. The play of light in the bowls, small or large, triggers the effect. It will shimmer, it will glow, it plays - and then you have in your hand a glass object that lives, whimsical but intense.” 

CONDITION
Excellent. No chips, cracks or repair. There are internal water marks, negligible surface wear and movement marks on the underside of the base that is commensurable with the age of the piece. There are also small inclusions in the body that are from the glassblowing process and is not damage, please refer to photos as they form part of the condition report. The underside of the base is signed with Lindstrand's initials for the Colora series of 'LC1'.

MEASUREMENTS
Height: c. 12.1" / 30.8 cm tall (from base to rim) x c. 3.9" / 10 cm in width (across widest point). Depth: c. 2.8" / 7 cm. Base measurements: 2.6" / 6.5 cm x 2.2" / 5.6 cm. Rim: 2" / 5 cm (across widest point) Unpackaged weight: 1.0 kg / 970 g

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Vicke Lindstrand (b. 1904 - d. 1983) is considered as one of the most influential 20th-century glass artists and a pioneer of glass art. Lindstrand's prolific career included many design highlights, including his ability to excel at a technique called Cased Glass (known to many glass collectors as 'Sommerso'), in which a vividly coloured or patterned section of glass is surrounded by and seems to float within a clear crystal body.

Lindstrand's career began in commercial illustration before finding employment at the glass manufactory Orrefors. He would join Kosta Boda in 1950, remaining there until 1973. Beyond his commercial work, he also produced several massive public sculptures around the world. Today, his works are in many museum collections, such as the Victoria and Albert Museum in London, the Museum of Fine Arts in Houston, and The Museum of Modern Art in New York.

Kosta Boda is Sweden’s oldest glass company, founded in 1742 and began making art glass — that is, unique and limited edition pieces — with the hiring of the painter Gunnar Wennerberg in 1898. Kosta Boda enjoys a reputation as the country’s most artistic and experimental glassworks, featuring artists and sculptors.

There are few Kosta Boda designers who stand foremost in the minds of collectors, one is Vicke Lindstrand, who excelled at a technique of 'Sommerso', or cased glass.

ITEM
This spectacular work is of Czech Modernist art glass is a celebration of handblown sixties studio glass.

The accentuated abstract bottle form features a tapered neck that is lightly ridged, creating downward darts in the bands of orange around it. The neck leads into the globe body with the bands of orange widening outwards as the body's circumference extends. Each band wavy striped band of orange features a shade of semi-translucent shade of Peach orange that is sandwiched between a trim of transparent Tangerine orange. As the bands graduate towards the base of the vase, the hues of orange deepen, giving this piece a wonderful sense of gradience.

This simple yet refined piece is a rare find that gives a mesmerising light show of refractions when placed in the path of sunlight.

CONDITION
Superb. There is light use wear, primarily in the form of mild watermarks on the interior of the vase. Mentioned for completeness: due to the narrowness of the neck, the vase can sometimes collect condensation on the interior, which comes and goes as temperatures fluctuate. Please refer to photos as they form part of the condition report.

MEASUREMENTS
Height: c. 16.5" / 42 cm tall by 6.9" / 17.5 cm width (across body's widest point). Base diameter: c. 3.3" / 8.5 cm. Rim diameter: c. 1.5" / 3.8 cm. Unpackaged weight: c. 1.3 kg / 1,340 g

NOTES
Vase will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

THE ITEM
This stunning work of mid-century handblown art glass was designed by Josef Hospodka during his time at Chribska glassworks.

This sculpted piece is very well balanced with its 4 lobes elegantly drawn upwards, creating the gently curved wakes along the four sides of the glass. The colour palette of this piece makes it a rare find, as encased within the glass is a striking Cranberry red which brilliantly contrasts the icy Periwinkle blue. These captivating and captivated colours are encased in clear glass with the whole piece being finished with the classic Hospodka accent of opaque white glass along the rim.

This piece would be well suited to a room with Modernist, Contemporary or even Industrialist theme inspired decor.

CONDITION
Excellent, no chips, cracks or repairs. There are few movement marks on the underside of the base that is commensurable with age - please refer to photos as they form part of the condition report.

MEASUREMENTS
Height: c. 9.4" / 24 cm from its tallest point x c. 5.9" / 15 cm wide (across widest point). Base diameter: c. 2.9" / 7.3cm. Weight: c. 1.3 kg / 1,285 g

NOTES
Vase will be securely packaged and shipping will be insured.

A BIT OF HISTORY
The founding of Chřibská glassworks dates back to 1414 and is considered to be one of the oldest glassworks in the world. Chřibská operated without interruption for almost six centuries, the glassworks full name Sklarna Chribska was based in the Czech Republic and was well-known for their sculptural art glass vases and bowls. Chribska remained in production until very recently and eventually became part of the Borske Sklo National Corporation during the 1950s.

Josef Hospodka (b. 1923 - d. 1989) studied at the State School for Graphic Arts in Prague from 1938-40, followed by the School for Decorative Arts in Prague from 1940-45 under Professor Holecek. He was the head of the glass cutting department at the Specialised School for Glassmaking at Novy Bor from 1945-51, headmaster at the Chribskà glassworks training school from 1951-58, and head designer at the Borské Sklo glassworks from 1858-60, and from 1964-70. He is best known for his many highly successful and prolifically produced colourful and curving hot-worked designs produced for Chribskà, of which he was a director from 1960-64.

"Hospodka is best known at Chribská for his brightly coloured organic forms designed from the mid-1950s-60s and inspired by glass produced on Murano. However, he was considerably more inventive, and utilised fully the hot-working talents of the glassmakers at Chribská."

- Source: Mark Hill

THE ITEM
This exceptional work of French Art Nouveau cameo glass is by one of the most prominent glassworks Daum, based in the city of Nancy (1878 - present). The Daum studio creates their art in crystal and remains as one of the only studios who use the pâte de verre process for art glass and crystal sculptures.

Designed and crafted in the 1900s, the form and glowing ethereal palette of this piece is a rare combination that has made it a feature in the dedicated book "Daum - Maitres Verriers" by Edita Denoel, (Edita S.A. Lausanne, 1980, p. 61). The base colour palette is composed of cool and faintly opalescent pale blue tones, which has been overlaid with the tactile golden-hued Zucchini leaves, stems, flower buds and tendrils in high relief.

CONDITION
Excellent. No chips, cracks or repairs. There is mild wear to the surface that is commensurate with the age of the piece. Please refer to photos as they form part of the condition report. The vase bears the Daum Nancy signature with the Croix de Lorraine mark.

MEASUREMENTS
Height c. 9.8" / 25 cm by c. 3.9" / 10 cm diameter (across widest point). Rim (opening) diameter: c. 2.4" / 6.2 cm. Base diameter: c. 3" / 7.7 cm. Unpackaged weight: c. 0.8 kg / 825 gm.

NOTES
Vase will be securely packaged and shipping will be insured. Shipping will be combined for multiple items.

A BIT OF HISTORY
Founded in 1878 by Jean Daum, the studio rose to prominence during the Art Nouveau and Art Deco period (1890 - 1910, 1908 - 1935), capturing the attention and imagination of collectors all over the world. Daum would exhibit at Paris International Exhibition in 1889, a pivotal event which marked the birth of the French Art Nouveau movement. With leading artists such as Henri Berge, Almaric Walter, Charles Schneider and Jacques Gruber, the studio would go on to win their first ‘Grand Prix’ in 1900.

The studio continued its ascent to international fame around this time, which further elevated when they began to create their art with pâte-de-verre, a glass-making technique first used over five thousand years ago in the early world. Fueled by international success, the studio would broaden their range to glass art objects and enter into a period of phenomenal development. The studio revolutionised techniques by experimenting with materials such as acids, colour powders, fluorine hydrogen and enamel. Collaboration with leading designers was also a common aspect of Daum's exploration and creativity, working with names such as Louis Majorelle, Eugene Galles, Emile Wirts and Salvador Dali.

Today, Daum is well known for creating pieces in high quality, crystal glass.

THE ITEM
This beautiful handblown work of art glass is by Czech glassworks Josefodol Glassworks, later restructured into Zelezny Brod glassworks. This particular design in Neodymium glass is a rare find and even rarer that it is in such superb condition.  

The simple but gorgeously rounded silhouette is like that of a soap bubble, with the lightly arced leaf nestled in the gentle depression at the top. This piece not only has an excellent ability to create shimmering refractions, but it also has the ability to colour change. The colour changing ability comes from Neodymium, a chemical element that has been incorporated into the glass during the crafting process. Under daylight, the Neodymium in the glass presents itself as a pale lilac colour however, under indoor fluorescent household lighting, the element becomes a pale blue. Neodymium glass is sometimes known as Alexandrite glass. 

This elegant piece would suit a room with Mid Century, Modernist or even Contemporary inspired decor.

CONDITION
Excellent. No chips or cracks or repairs. There are minute inclusions inside the apple from the glassblowing process and very mild wear that is commensurate with the age of the piece. Please refer to photos as they form part of the condition report. The underside of the piece bears Zelezny Brod's gold foil label. 

MEASUREMENTS
Height c. 4.5" / 11.4 cm x c. 3.3" / 8.5 cm in width (across the widest point). Base diameter: c. 1.4" / 3.5 cm. Unpackaged weight: 0.3 kg / 328 g

NOTES
Glass will be securely packaged and shipping will be insured.
Shipping will be combined for multiple items.

A BIT OF HISTORY
Zelezny Brod Glassworks
Železný Brod is an old glass-producing town founded in the eleventh century. It was originally known as Brod [tr. 'ford'] or Brodek [tr. 'little ford']. Železný [tr. 'iron'] was added to its name in the fourteenth century, alluding to the town's steelworks. The town's main industry is represented by producers of blow-moulded glass, as well as that of jewellers. The Železný Brod (ZBS) glassworks was created in 1948 as a result of nationalisation at the time and was an amalgamation of 9 glass factories in the town. ZBS being particularly well known for its free-form organic vases and bowls designed by Miroslav Klinger.